A Quote by Rita Dove

The poetry that sustains me is when I feel that, for a minute, the clouds have parted and I've seen ecstasy or something — © Rita Dove
The poetry that sustains me is when I feel that, for a minute, the clouds have parted and I've seen ecstasy or something
The poetry that sustains me is when I feel that, for a minute, the clouds have parted and I've seen ecstasy or something.
I have seen clouds part for the sun. I have seen rainbows. I have seen flowers in the morning, covered in dew, and I have seen sunsets so brilliant with fire they made me want to weep. And I have seen Dan smile at me, his lips still wet from my kiss, and if I had to choose which sight moved me the most I would say it was that one.
There is such a thing as everyday, ordinary, vulgar ecstasy; the ecstasy of anger, the ecstasy of speed at the wheel, the ecstasy of ear-splitting noise, ecstasy in the soccer stadium.
Sometimes I feel like a junkie. One minute something happens in my life and I'm flying. Next minute I take a nose-dive and just as I'm about to hit the ground with full force something else will have me flying again.
That's one of those questions that would just love to have a pat answer. You know, poetry's job is to make us feel good. Poetry exists to allow us to express our innermost feelings. There isn't one role for poetry in society. There are many roles for poetry. I wrote a poem to seduce my wife. I wrote a poem when I asked her to marry me. Poetry got me laid. Poetry got me married.
Poetry for me is as much a spiritual practice as sexual ecstasy is.
There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.
Dear God," she prayed, "let me be something every minute of every hour of my life. Let me be gay; let me be sad. Let me be cold; let me be warm. Let me be hungry...have too much to eat. Let me be ragged or well dressed. Let me be sincere - be deceitful. Let me be truthful; let me be a liar. Let me be honorable and let me sin. Only let me be something every blessed minute. And when I sleep, let me dream all the time so that not one little piece of living is ever lost.
I feel often very close to the ecstasy and anguish which lie at the very heart of poetry - I am writing a lot.
I find that people can pass me on the street who've just seen my picture in the paper and they wouldn't recognize me. If they'd seen me on television, the heads turn. They say, "Wait a minute. I don't know who that is, but he's somebody.
The angels started singing, the clouds parted, it was a religious experience. I've never had the same reaction to a product, not in 25 years.
You can't make poetry out of thought; poetry is passion. Linear thought must be seduced by wild mind, by the fires of ecstasy.
Every true artist does feel, consciously or unconsciously, that he is touching transcendental truths; that his images are shadows of things seen through the veil. In other words, the natural mystic does know that there is something there, something behind the clouds or within the trees; but he believes that the pursuit of beauty is the way to find it; that imagination is a sort of incantation that can call it up.
There are moments when the elixir of life rises to such over?brimming splendor that the soul spills over. In the seraphic smile of the Madonnas the soul is seen to flood the psyche. The moon of the face becomes full; the equation is perfect. A minute, a half?minute, a second later, the miracle has passed. Something intangible , something inexplicable, was given out-and received.
Are you okay? (Simone) No, I’m in ecstasy. I blew straight past okay the minute you touched me. (Xypher)
I culled poetry from odors, sounds, faces, and ordinary events occurring around me. Breezes bulged me as if I were cloth; sounds nicked their marks on my nerves; objects made impressions on my sight as if in clay. There, in the soft language, life centered and ground itself in me and I was flowing with the grain of the universe. Language placed my life experiences in a new context, freeing me for the moment to become with air as air, with clouds as clouds, from which new associations arose to engage me in present life in a more purposeful way.
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