A Quote by Rita Dove
I have a high guilt quotient. A poem can go through as many as 50 or 60 drafts. It can take from a day to two years-or longer.
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I have a high guilt quotient. A poem can go through as many as 50 or 60 drafts. It can take from a day to two years - or longer.
And when my second book had come out, "Wild Gratitude," I went to Pearl London's class and she worked through different drafts of poems and there were the drafts of my poem, "Wild Gratitude," and I saw that I had begun the poem with the title "August 13th."
I write slowly, and I write many, many drafts. I probably have to work as hard as anyone, and maybe harder, to finish a poem. I often write a poem over years, because it takes me a long time to figure out what to say and how best to say it.
In high school I was leafing through an anthology that our teachers had given up and I found a poem, I go, "That's so strange. This poem looks so much like my grandfather's poem."
I think the last couple of years of life for many, many people are the same as they were 50, 60, 70 years ago. They could be really tough because of infirmity.
Steven [Sebring] was documenting me as a widow with two children, going from 50 to 60 years old. My focus, during that time, was to rediscover myself, stay healthy, take care of my kids and reestablish a relationship with the people.
The first draft you're pretty much on your own, so I love that. I can let my imagination go wild. I just go crazy. Then, over the years - it takes years to write these things, to make these things come to pass - there are many, many, many drafts. For Maleficent, there were at least 15.
I don't know who can constantly afford to go and see things. A play, which has five people in it and one set and it cost you 60 quid? And you're in a theatre that really hasn't had a great deal of money spent on it in the last 50 or 60 years? It's kind of weird.
I have been performing in the street for more than 50 years: magic for basically 60 years, and the high wire 45 years. The beauty of it is that it's never the same. It's never easy. And yet, part of my art is to make it look easy.
... the reason why there are so few first-class poets is that many people have intense feelings or first-class minds but to get the two together so that you will be willing to put a poem through sixty drafts, to be that self-critical, to keep breaking it down, that is what is rare. Right now most poetry is just self-indulgence.
In the two million years during which we climbed from stone-tool-wielding Homo erectus with sloping brows to high-foreheaded Homo urbanis - man, the inventor of the city - we underwent 60 glaciations, 60 ice ages.
When coal came into the picture, it took about 50 or 60 years to displace timber. Then crude oil was found, and it took 60, 70 years, and then natural gas. So it takes 100 years or more for some new breakthrough in energy to become the dominant source.
The premise of 'The Originals' are places that have been open 50, 60, 75, 100 years or longer that are still doing it right that maybe a lot of people, particularly the younger generations, have not even thought about.
Moisturizing every night is important. When you're 50 or 60, it's going to show if you don't take care of it. You have to prepare when you're young, so you still have that healthy, glowing skin when you're 60 or 70.
If I want to hand one of my old shotguns that I've had for 50 years to my grandkid one day, I have to go through a federal transfer? It's crazy.
Instead of educating the I.Q., we need to educate the H.Q., the heart quotient, the matters of truth, love, justice, and compassion. There are two ways to do this. One is through the read life experiences and the other is through literature. Literature has the power to take us outside ourselves and returns to ourselves a changed self.
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