A Quote by Rita Mae Brown
We have the ability to be the Athens of modern times as opposed to the militaristic Sparta. I remind you that the Athenians wrote poetry. The Spartans did not.
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I began to think of war, even so-called "good wars" like World War II, as corrupting everybody. Violence begetting violence. The good guys beginning to act like the bad guys. And when I studied the history of wars, it seemed to me that that was the case. Athens vs. Sparta in the Peloponnesian War. The Athenians presumably the democratic state. The Spartans the totalitarian state. But as the war went on, the Athenians began to act like the Spartans. They began committing atrocities and cruelties. So I saw this as a characteristic of war, even so-called "good wars."
The wide difference between the two characters, the slowness and want of energy of the Spartans as contrasted with the dash and enterprise of their opponents, proved of the greatest service, especially to a maritime empire like Athens. Indeed this was shown by the Syracusans, who were most like the Athenians in character, and also most successful in combating them.
When a rapidly rising power rivals an established ruling power, trouble ensues. In 11 of 15 cases in which this has occurred in the past 500 years, the result was war. The great Greek historian Thucydides identified these structural stresses as the primary cause of the war between Athens and Sparta in ancient Greece. In his oft-quoted insight, "It was the rise of Athens and the fear that this inspired in Sparta that made war inevitable."
What is the foundation of that interest all men feel in Greek history, letters, art, and poetry, in all its periods, from the Heroic or Homeric age down to the domestic life of the Athenians and Spartans, four or five centuries later? What but this, that every man passes personally through a Grecian period.
The growth of the power of Athens, and the alarm which this inspired in Sparta, made war inevitable.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
The great thing about writing about the ancient Spartans or Athenians is that so much knowledge is no longer extant that no one, except maybe a Cambridge or Oxford don, can call you out and prove you wrong.
What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.
For the Spartans, it wasn’t walls or magnificent public buildings that made a city; it was their own ideals. In essence, Sparta was a city of the head and the heart. And it existed in its purest form in the disciplined march of a hoplite phalanx on their way to war!
Little Sparta is a garden in the traditional sense. It is perhaps not like other modern gardens, but I think that other times would have had no difficulty with it.
Poetry is not a genre in harmony with the modern world; its innermost nature is hostile or indifferent to the dogmas of modern times, progress and the cult of the future.
That's one of those questions that would just love to have a pat answer. You know, poetry's job is to make us feel good. Poetry exists to allow us to express our innermost feelings. There isn't one role for poetry in society. There are many roles for poetry. I wrote a poem to seduce my wife. I wrote a poem when I asked her to marry me. Poetry got me laid. Poetry got me married.
What I wrote all the time when I was a kid - I don't want to call it 'poetry,' because it wasn't poetry. I was not that kind of a writer. I was a rhymer. I was a fan of Dorothy Parker's, so maybe I wrote poetry to that extent, but my main focus was the humor of it, and word construction, and the slant. Your words, it's a very powerful experience.
Primitive times are lyrical, ancient times epical, modern times dramatic. The ode sings of eternity, the epic imparts solemnity tohistory, the drama depicts life. The characteristic of the first poetry is ingeniousness, of the second, simplicity, of the third, truth.
I wrote a lot of poetry in the last two years of high school, all about the same girl I was in love with. That was pretty awful. Did you know that in poetry, every line does not need to rhyme?
[M]ore than they wanted freedom, the Athenians wanted security. Yet they lost everything-security, comfort, and freedom. This was because they wanted not to give to society, but for society to give to them. The freedom they were seeking was freedom from responsibility. It is no wonder, then, that they ceased to be free. In the modern world, we should recall the Athenians' dire fate whenever we confront demands for increased state paternalism.
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