A Quote by Rita Mae Brown
Language exerts hidden power, like the moon on the tides.
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The moon is whole all the time, but we can’t always see it. What we see is an almost moon or not-quite moon. The rest is hiding just out of view, but there’s only one moon, so we follow it in the sky. We plan our lives based on its rhythms and tides.
As you know, this little grain of sand has mass. A very small mass, but mass nonetheless." And because this grain of sand has mass, it therefore exerts gravity. Again, too small to feel, but there." Now," Katherine said, "if we take trilions of these sand grains and let them attract one another to form... say, the moon, then their combined gravtiy is enough to move entire ocreans and drag the tides back and forth across our planet.
A weak mind sinks under prosperity, as well as under adversity. A strong and deep mind has two highest tides - when the moon is at the full, and when there is no moon.
The Moon is a white strange world, great, white, soft-seeming globe in the night sky, and what she actually communicates to me across space I shall never fully know. But the Moon that pulls the tides, and the Moon that controls the menstrual periods of women, and the Moon that touches the lunatics, she is not the mere dead lump of the astronomist. . . . When we describe the Moon as dead, we are describing the deadness in ourselves. When we find space so hideously void, we are describing our own unbearable emptiness.
Each that we lose takes a part of us; A crescent still abides, Which like the moon, some turbid night, Is summoned by the tides.
Laurel crowns cleave to deserts And power to him who power exerts; Hast not thy share? On winged feet, Lo! it rushes thee to meet; . . .
Language is power, in ways more literal than most people think. When we speak, we exercise the power of language to transform reality. Why don't more of us realize the connection between language and power?
The ocean, whose tides respond, like women's menses, to the pull of the moon, the ocean which corresponds to the amniotic fluid in which human life begins, the ocean on whose surface vessels (personified as female) can ride but in whose depth sailors meet their death and monsters conceal themselves... it is unstable and threatening as the earth is not; it spawns new life daily, yet swallows up lives; it is changeable like the moon, unregulated, yet indestructible and eternal.
The unsaid, for me, exerts great power.
We can't change the moon but we can live in harmony with its tides, and we can make some ripples of our own.
One must avoid ambition in order to write. Otherwise something else is the goal: some kind of power beyond the power of language. And the power of language, it seems to me, is the only kind of power a writer is entitled to.
There is a side of the Moon which we never see, but that hidden half is as potent a factor in causing the ebb and flow of the Earth's tide as the part of the Moon which is visible.
In early historical civilization, lunar symbols wove together three major metaphorical concepts. The first is the idea of fertility. The moon controls the tides of both water and blood – the sacred fluids of the early religions. The second is the concept of periodic rebirth, symbolized by the moon’s monthly waning and renewal. The third is the notion of continually repeating cycles of change.
The Moon has given us months, tides and a destination that ever-beckons. It's time we build a rocket and go to stay.
Language is not just a code; you are writing into its history, into its tides.
Heat energy of uniform temperature [is] the ultimate fate of all energy. The power of sunlight and coal, electric power, water power, winds and tides do the work of the world, and in the end all unite to hasten the merry molecular dance.
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