A Quote by Rita Mae Brown

The only queer people are those who don't love anybody. — © Rita Mae Brown
The only queer people are those who don't love anybody.
Normally when you go to a queer space the people often look like you, they are the same age as you and so on, but at Mardi Gras and at queer events in general, everybody is different, everybody comes together. And that is what I love about Pride and Mardi Gras and those sort of events.
The only people are those who don't love anybody.
For me, I think it's important to spread Black queer joy and acknowledge Black queer excellence and the achievements that have been made by my people, specifically meaning Black queer people.
In order to make a change, I have to exist in a traditionally homophobic space such as hip-hop. If I were to just be this queer rapper who only spoke to queer kids... I don't think I could as effectively make a change for another young, black, queer kid growing up in Texas.
PWR BTTM isn't the only queer rock band. We've been lucky to receive a platform. If you go on Bandcamp and search for 'queer rock,' you can find 150,000 bands that you could love more than PWR BTTM.
People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
Everyone who passes through 'Drag Race,' and especially the people who are able to have really big careers after the show, has a responsibility to the queer community to do a good job of representing queer people across the board to be kind and loving.
Fear Street' subverts almost every stereotype that you can think of in the horror genre, which I love. We have a horror trilogy that's centered around a queer relationship. The main protagonist is a queer woman of color.
After the 'Fallon' set, I had a lot of queer people message me about how much it meant to see a queer perspective on late night TV.
I think that there are all these amazing figures in our history - the Bowies, the Tina Turners, the Chers, the people who are, in many ways, genderless or represent 'the other' - and I want pop music, and other queer artists - Kehlani, Perfume Genius - these people are bringing queer narratives into people's minds.
A lot of different people under the queer umbrella come together but Like there's something inherently queer about the heist genre, in some way. It's about just flying under the radar and procuring something furtively or, you know, that thing that is just so fun and high-stakes in the way that a lot of queer experiences are.
The gay community has had a sometimes tumultuous relationship with non-queer people coming to their shows because it was tourism, like using the queer spaces as a form of comic relief or entertainment.
The radical power of 'queer' always came from its inclusivity. But that inclusivity offers a false promise of equality that does not translate to the lived reality of most queer people.
I don't fix anybody, because I don't think anybody's broken. I think what people have are patterns, and those can be changed. People quickly understand that what's controlling their thoughts and emotions are their values and rules, and they learn how to shift those.
Queer is invincible because people have tried everything - haven't they? What haven't they tried to do to queer people? And horrible things happened. But you never stop, because it's the truth of who you are.
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