A Quote by Rita Marley

I felt like I was seeing my life over again when I first arrived in Ghana. I thought, 'This is part of me.' I knew what it was like to be poor and hungry. — © Rita Marley
I felt like I was seeing my life over again when I first arrived in Ghana. I thought, 'This is part of me.' I knew what it was like to be poor and hungry.
I grew up watching 'Ghostbusters.' I loved that movie before I knew it was a comedy! As a kid, I lived between Ghana and Detroit and in Ghana for, like, first and second grade. And I had a VHS tape of that, and I would watch it every day. It's kind of like why I got into comedy.
I didn't know much at all about YG before I arrived there the first day. It felt like something far removed from me. I never thought I'd actually be doing it for real.
I knew it wasn't fair, I knew it was wrong, but I couldn't help it. And after a while, the anger I felt just sort of became part of me, like it was the only way I knew how to handle the grief. I didn't like who I'd become, but I was stuck in this horrible cycle of questions and blame.
I knew it,’ she says. ‘I knew I had met you before. I knew it the first time I saw your photograph. It’s as if we had to meet again at some point in this life. I talked to my friends about it, but they thought I was crazy, that thousands of people must say the same thing about thousands of other people every day. I thought they must be right, but life… life brought you to me. You came to find me, didn’t you?
in the nineteenth year and the eleventh month speak your tattered Kaddish for all suicides: Praise to life though it crumbled in like a tunnel on ones we knew and loved Praise to life though its windows blew shut on the breathing-room of ones we knew and loved Praise to life though ones we knew and loved loved it badly, too well, and not enough Praise to life though it tightened like a knot on the hearts of ones we thought we knew loved us Praise to life giving room and reason to ones we knew and loved who felt unpraisable. Praise to them, how they loved it, when they could.
I was in college - Carnegie Mellon, which is one of the reasons Pittsburgh was appealing to me - and I personally feel that whole world of what we used to call "college radio" is a big part of what kept me sane through a period where I stopped dating, I felt like a freak, I felt like no girl would like me. You know, a very adolescent response to losing my hair. I turned to obsessing about The Replacements and The Smiths and R.E.M. and getting further into The Velvet Underground. People who, in my sheltered suburban life, I knew of, but didn't know fully.
My earliest memory is of my first day at primary school and the distress of seeing my mother part from me.And being in a room full of strangers - of aliens. I felt that I would never see her again.
I felt like God was giving me a chance to assist in a miracle. There is something so relieving about life taking over you like that. You're playing a part in a much bigger show. And that's what life is. It's the greatest show on earth.
Being on 'Glee' was amazing. I remember my first day on set, my first day I arrived to the set I was in my trailer and all of the actors came and banged on my door - Lea Michele, Chris Colfer, Amber Riley, Naya Rivera. They all welcomed me with open arms, so it was a great experience. It felt like family, and I miss them a lot over there.
An actor's life is like a series of - it's like the first day of school happening over and over again.
I felt about life and the way I felt about my children was so deep and profound. It was the first time I'd felt anything like that. I knew as an artist that it was going to make a huge difference in everything that I did.
The first time I was onstage, I felt like the audience was breathing with me. I don't know if I was good or not; I just knew I was having a ball, and for the first time, I felt I belonged somewhere.
I think that the reason you keep hearing that it's the golden age of TV is because original storytelling is happening all the time in that medium, and people are hungry for it. And I'm as guilty as anyone for being part of an industry that is capitalizing on existing stories, sequels, these things that we are seeing again and again and again.
For the first time in a long time I thought about Maman. I felt as if I understood why at the end of her life she had taken a 'fiancé,' why she had played at beginning again. Even there, in that home where lives were fading out, evening was a kind of wistful respite. So close to death, Maman must have felt free then and ready to live it all again. Nobody, nobody had the right to cry over her. And I felt ready to live it all again too.
I grieved, but a part of me felt a lightening of a burden that I had carried all my life: that I could never be worthy of them, that I would always disappoint or fail them. As an unknown slave in the fields of the baron, I knew the worst was over. I had failed them. At least I could not do so again
Edward knew what it was like to say over and over again the names of those you had left behind. He knew what it was like to miss someone. And so he listened. And in his listening, his heart opened wide and then wider still. (page 103)
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