A Quote by Rita Moreno
If you can find a way your character moves, you know more about your character than you'd ever dream.
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A dream inspiring a story is different than placing a description of a dream in a story. When you describe a character's dream, it has to be sharper than reality in some way, and more meaningful. It has to somehow speak to plot, character, and all the rest. If you're writing something fantastical, it can be a really deadly choice because your story already has elements that can seem dreamlike.
I think the best way to become a character is by osmosis as opposed to thinking directly about stuff. The more material that you have and understand and have a going in, then the more complex your character and the understanding of your character will be.
Also, worldbuilding touches all aspects of your story. It touches plot and character as well. If you don't know the culture your character comes from, how can you know what he's really like? You must know your characters on a much deeper level than you would if you just shrugged your way into a cookie cutter fantasy world.
God is much more concerned about your character than your career, because you will take your character into eternity, but not your career.
The more you know about the world, the more resources you have in terms of things that can inform your character or the circumstances that surround your character.
If you understand your character and feel like it's a collaborative process, you're more inclined to dive into the deep end and fight for your character and feel passionate about your character, and that passion comes across on screen.
Playing tricky poker doesn't have to mean making bizarre moves or playing way out of character. Rather, it's simply about taking advantage of what you know about your opponents and how they perceive your style of play.
There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.
As an actor, you have to just think about the truth of your character. You have to think about how to play the character in the way that you know it needs to be played in your heart and why you were hired.
Understand and apply this vital principle to your life: Your exercise of faith builds character. Fortified character expands your capacity to exercise greater faith. Thus, your confidence in making correct decisions is enhanced. And the strengthening cycle continues. The more your character is fortified, the more enabled you are to exercise the power of faith for yet stronger character.
Well, I've always been a character actor, you know, and you always get your share of character actors who are bad guys. So it never surprises me. And if it's good writing, you can find your way into the part well enough.
You never display your character more clearly than when you speak about the character of others.
When you describe a character's dream, it has to be sharper than reality in some way and more meaningful. It has to somehow speak to plot, character, and all the rest.
Be more concerned with your character than your reputation, because your character is what you really are, while your reputation is merely what others think you are.
Don't measure yourself by what you have accomplished, but by what you should have accomplished with your ability. Do not let what you cannot do interfere with what you can do. Be more concerned with your character than with your reputation. Your character is what you really are while your reputation is merely what others think you are. Failure to prepare is preparing to fail.
As an actor, you don't want to ever get too comfortable where you're like, "I know this character," and you don't do the work anymore. Then, there's something that you're going to miss. If you always stay hungry to learn more about your character, that's a healthy thing, while having a great sense of who she is, at the core.
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