A Quote by Rita Moreno

I'm one of those performers who has done just about everything except juggle, and I'm working on that. — © Rita Moreno
I'm one of those performers who has done just about everything except juggle, and I'm working on that.
Truly great performers reveal not only their characters but bring everything they know about the world with them. It's not just what's in the script but the story of everything you've done and of who you are. If you're Chaplin, you're the immigrant. No matter what he's doing, he's always the little guy trying to make his place in the world.
The biggest possible thing that we're trying to do is change the conversation about what it means to be a working artist today, and hopefully, as the generation of performers that is training and listening to our show at the same time comes up, and becomes a working generation of performers listening to our show-hopefully that's going to change some of the ways they're looking at the hierarchy of theatre and start to blur those lines a bit more.
People seem to know about May Day everywhere except where it began, here in the United States of America. That's because those in power have done everything they can to erase its real meaning.
Just like those who are incurably ill, the aged know everything about their dying except exactly when.
Everything has to be done for a reason, and everything has to be done to make sense in terms of running a proper business today, and it's not just about the food.
‘How do you juggle it all?’ people constantly ask me, with an accusatory look in their eyes. ‘You’re screwing it all up, aren’t you?’ their eyes say. My standard answer is that I have the same struggle as any working parent but with the good fortune to be working at my dream job. Or sometimes I just hand them a juicy red apple I’ve poisoned in my working-mother witch cauldron and fly away.
The best results come when people believe in and feel strongly about the music they are playing. Just as composers write for certain types of performers, performers are also looking for certain things.
We talk a lot about our identities, and we talk a lot about working to clear misconceptions about those identities. But it'd be really cool to see someone like myself not even have to talk about being Muslim or Egyptian, because it's just understood. We can all just be weird and not have to explain everything.
The difference between the top performers and the average or mediocre performers is not a great, massive difference. It is just a tiny difference because the top performers do things just a tiny bit.
I wonder if there was anything I would have done differently. I hope I would have done everything differently, except I know everything would have turned out the same. That's the meaning of fate.
I am a perfectionist but I know how to live life. When I'm working, it's 100%. When I'm with my friends, I put everything away and enjoy life. When I come home to my kids, it's pure joy and everything's worth it. Every time, I really focus 100 percent on one thing. I've learned how to juggle my life and I feel like now I have the perfect balance.
When I went on to write my next book, Working With Emotional Intelligence, I wanted to make a business case that the best performers were those people strong in these skills.
Go is one of my favorite things that I ever did. Not that I critique myself, but sometimes I'll be passing by the television, and I'll say, "Meh, maybe I would have done that a little different." I can't help [but] do that. But Go was one of those things - I really loved working with Doug Liman. Detective Burke in Go is one of those roles that's about everything I like to do. I love parts like that. And Go seems to be the thing that rolled it all into one.
I feel that the work that I have done in the comedy arena, is priceless in terms of what I learned, timing, everything that these incredibly talented performers were generous enough in teaching me.
I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
I look at old performers like James Brown: back in the day when you actually had to work hard to get poppin'. I look at all those types of performers. Even like Kid n' Play and the Fresh Prince and Jazzy Jeff and Salt-N-Pepa. That era where they had to perform. You couldn't just rap. It had to be an entire performance.
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