A Quote by Rita Moreno
If you're in a business where Latinos only play Indian maidens and what I call 'Conchita Lolita' parts - the little fiery spitfires - you do what you have to do.
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The biggest crime in Nabokov's 'Lolita' is imposing your own dream upon someone else's reality. Humbert Humbert is blind. He doesn't see Lolita's reality. He doesn't see that Lolita should leave. He only sees Lolita as an extension of his own obsession. This is what a totalitarian state does.
There's a big difference between when I'm Tom and when I'm Conchita. Conchita uses very proper German; Tom talks in an Austrian dialect. Conchita gets mad if she is kept waiting; Tom is lazy.
The Indian Bureau system is wrong. The only way to adjust wrong is to abolish it, and the only reform is to let my people go. After freeing the Indian from the shackles of government supervision, what is the Indian going to do: leave that with the Indian, and it is none of your business.
The Indian context is unique. The market is very large, and I believe there is enough room for many players to innovate on different parts of the transportation business. That said, if somebody just brings an American concept to India, it'll only go so far. You have to build for the Indian needs and dynamics.
Oh, my Lolita, I have only words to play with!
We passionately set up a programme that we call the Indian gun programme. I challenged Colonel Bhatia, who heads our defence business, that let's build an Indian gun. There's a belief that Indian companies aren't capable of this, and we want to prove them wrong, as we did in components.
I knew what my scripts would say before I opened them: 'Enter Conchita.' I played handmaidens, Indian squaws, and Mexican dancers.
So what? A lobbyist cheated Indian tribes out of $25 million then laundered their money through phony Christian charities trying to stop other Indian tribes from getting casinos [on screen: 'Thou Shalt Not Compete'] and bribe congressmen in the process. Know what I call that? I call that business as usual in Washington. [on screen: 'Screwing Indians']
Left to myself, I would only play an Indian. But the reality was that there were hardly any Indian characters I could play in the films made in England and Hollywood. So I had to learn how to disappear into a variety of characters.
Maidens who stay maidens turn into saints. Old women become sorceresses. Tough jobs, both of these.
Call on a business man only at business times, and on business; transact your business, and go about your business, in order to give him time to finish his business.
Yet mark'd I where the bolt of Cupid fell: It fell upon a little western flower, Before milk-white, now purple with love's wound, And maidens call it love-in-idleness.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
The Indian business has largely grown on the back of exports. The domestic markets, as far as our Indian business is concerned, actually have contracted because of the contraction in the medium and heavy commercial vehicle space.
An Indian is an Indian regardless of the degree of Indian blood or which little government card they do or do not possess.
Be proud that thou art an Indian, and proudly proclaim, "I am an Indian, every Indian is my brother." Say, "The ignorant Indian, the poor and destitute Indian, the Brahmin Indian, the Pariah Indian, is my brother."
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