A Quote by Rita Moreno

You can never fight for a part or can't beg them to do another audition. You can try, but that rarely works. — © Rita Moreno
You can never fight for a part or can't beg them to do another audition. You can try, but that rarely works.
Never let an engineer try to sell his stuff. It rarely works unless you are Akio Morita.
What works for one writer may not work for another. There are as many methods as there are writers. Were you to live to a grand old age, you would still never have enough time to try them all.
When something tragic has happened, you can try to move on and put something tragic behind you, but it rarely works. It's in you when something like that happens. It's physically a part of your life.
Grace stands in direct opposition to any supposed worthiness on our part. To say it another way: Grace and works are mutually exclusive. As Paul said in Romans 11:6, "And if by grace, then it is no longer by works; if it were, grace would no longer be grace." Our relationship with God is based on either works or grace. There is never a works-plus-grace relationship with Him.
I think, fundamentally, Man Repeller is a voice for women to connect with; they can come and try it on for size and be a part of it, and if it works for them, they take it with them.
I did my part. I signed it for UFC 205 in New York. I signed my part, and Julianna turned it down. She didn't want to fight that time, but I don't care about this because I am a fighter, and if she don't want fight, we was looking for another opponent to make fight.
With The Help, I knew folks involved in the project peripherally. I wanted to audition for Hilly Holbrook and part of the initial feedback was: "No, Bryce is too nice." That's part of the reason why I really love auditions as well - you get to try out a character and try out different versions of a character.
Life isn’t fair." I said. "It’s taken me a while to get that. It’s always going to disappoint you in some way or another. You’ll make plans, and it’ll push you in another direction. You will love people, and they’ll be taken away no matter how hard you fight to keep them. You’ll try for something and won’t get it. You don’t have to find meaning in it; you don’t have to try to change things. You just have to accept the things that are out of your hands and try to take care of yourself. That’s your job.
There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.
To me, the fun part of both jobs is to always try to push the discussion and debate forward in some way. The most fun part of being a theater critic for the Times was always to try and champion something that maybe other people didn't like, or that was produced under obscure circumstances or had to fight for its life. And I would say in the column what I try to do is in some ways related in that I'm trying to fight for a point of view. I'm not trying to be a kingmaker in either job, and don't want to be, and shouldn't be.
When I moved to Los Angeles, I was straight out of grad school, and I didn't have a single credit to my name. I knew one person in town - another actor whose name is John Billingsley. I just had to audition and audition and audition. I was plugging away for 15 years. So I earned my stripes!
You're playing and you think everything is going fine. Then one thing goes wrong. And then another. And another. You try to fight back, but the harder you fight, the deeper you sink. Until you can't move... you can't breathe... because you're in over your head. Like quicksand.
It is not the smallest use to try to make people good, unless you try at the same time - and they feel that you are trying - to make them happy. And you rarely can make another happy, unless you are happy yourself.
I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous - it happened so quickly.
I don't really like to audition, and that works against me. It's bad to be an actor and not like to audition.
We can't fight and beg from those we fight at the same time.
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