A Quote by Rita Moreno

I grew up as a child who felt she was very inferior to everyone else. — © Rita Moreno
I grew up as a child who felt she was very inferior to everyone else.
She feels so contented in giving birth to a child, in helping the child to grow; and that's why she does not need any other kind of creativity. Her creative urge is fulfilled. But man is in trouble: he cannot give birth to a child, he cannot have the child in his womb. He has to find a substitute, otherwise he will always feel inferior to the woman. And deep down he does feel that he is inferior. Because of that feeling of inferiority man tries to create paintings, statues, dramas, he writes poetry, novels, explores the whole scientific world of creativity.
My parents separated when I was very small. I grew up with my mother, and I was a single child then. She was very independent, doing her things and having fun alone and working.
I'm from an upper-middle class background. But because there was no one of my race where I grew up, I was very isolated. I felt different from everybody else.
My mother had me when she was 16, and that was an issue that had to be dealt with. She grew up in a very religious background, and there was a lot of discussion of what they should do with this unborn child. But here I am, and thank goodness.
I grew up in Louisiana, and I grew up with a dysfunctional family with some very serious abuse from my stepfather, who could be a very beautiful person on one hand and be terrible on the other, so it leaves your soul troubled as a child.
Tommy had felt alone in a crowd before, even inferior to everyone in a crowd, but now he felt, well, different. It wasn't just the clothes and the make up, it was the humanity. He wasn't part of it. Heightened senses or not, he felt like he had his nose pressed against the window, looking in. The problem was, it was the window of a donut shop.
I was a very quiet, shy child. I grew up in a small town, Louisville, Kentucky, and there weren't too many Hawaiian-Filipino girls, so I stuck out like a sore thumb. I didn't look like everyone else and didn't feel I belonged... But these things only build character and make you stronger. It taught me to grow into the woman I was to become.
I love Elizabeth Taylor. I'm inspired by her bravery. She has been through so much and she is a survivor. That lady has been through a lot and she's walked out of it on two feet. I identify with her very strongly because of our experiences as child stars. When we first started talking on the phone, she told me she felt as if she had known me for years. I felt the same way.
Maybe it was that nearly everyone else was dead and she felt a little bit dead too, but she figured that even a vampire deserved to be saved. Maybe she ought to leave him, but she wasn't going to.
I grew up thinking I was inferior to white-skinned people. And as a child if you are conditioned like this, it becomes a part of your upbringing that you believe that probably because I look like this, I won't get anywhere in life.
Making a film is like raising a child. You cannot raise a child to be liked by everyone. You raise a child to excel, and you teach the child to be true to his own nature. There will be people who'll dislike your child because he or she is who they are, and there will be people who'll love your child immensely for the very same reason.
My identity, I felt, was so distinct. I felt very much like an outsider. My family didn't have the same rituals that everyone else seemed to have.
Like everyone else, I grew up loving the Anne books, but L.M. Montgomery is so much more. Like Jane Austen, she has an eye for the absurd and a gift for the 'mot juste.'
I've always felt like a lot of people's misconceptions of me have to do with how I grew up. I grew up poor, and I grew up rich.
Eleanor Roosevelt loved to write. She was a wonderful child writer. I mean, she wrote beautiful essays and stories as a child. And Marie Souvestre really appreciated Eleanor Roosevelt's talents and encouraged her talents. Also, she spoke perfect French. She grew up speaking French. She's now at a french-speaking school where, you know, girls are coming from all over the world. Not everybody speaks French.
My mother teaches high school English, and she's an artist and a poet and a sculptor, she's published twelve poetry books. I grew up in a household in Venezuela with living, breathing art installations that were the way that she used to express herself, a highly creative environment where ideas were celebrated, where artistic expression was celebrated. Seeing her as somebody who was always able to have a creative output - if she felt sad, she wrote a poem, if she felt happy, she made a sculpture - I think for me, there was an early interest in finding outlets for my passions.
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