A Quote by Rita Ora
I have always liked the contrast between being blonde and having dark features.
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I feel like a lot of people liked to book me blonde, and I liked being blonde, but it's too high maintenance for me!
People keep asking me if I am having more fun, being blonde, but I always have fun! Whether I'm blonde, redhead, or brunette! I always have fun.
Hairdressers call me dark blonde, but I think they're wrong. I feel far more naturally confident blonde. My mum's blonde, my sister's platinum blonde. I thought, 'When I grow up, that's what I'm going to look like.'
Being blonde is definitely a different state of mind. I can't really put my finger on it, but the artifice of being blonde has some incredible sort of sexual connotation. Men really respond to it. I love blonde hair but it really does something different to you. I feel more grounded when I have dark hair, and I feel more ethereal when I have light hair. It's unexplainable. I also feel more Italian when my hair is dark.
Not many people know this about me, but I'm a natural blonde. My hair went from light blonde naturally to a darker kind of blonde. My mother dyed my hair dark when I was a child, as I loved the look then. So I'm basically a natural blonde.
To keep people interested, your presentation needs to have contrast. As humans we process contrast. We are assessing "what's the same," "what's different," "what's like me," "what's not like me." Humans stay interested if they can process contrast. Varying types of contrast can be used. With content, you can contrast between what is and what could be or between your perspective and alternative perspectives.
My hair got lighter, and I gradually went blonde. I liked it. Had more fun. But my image of myself in my head is this dark-haired person.
Having a very serious thematic element in the lyrics and then juxtaposing with something really triumphant and just a big beat to dance to is a nice contrast to having a dark message.
I love the strength of white blonde. Some people talk about having disasters while dyeing their hair - in my opinion you can never have a blonde disaster . . . I am always trying the latest products - whatever is new goes on my hair.
I've got soft features, curly hair with blonde bits and dimples. People think of me as a singer, an entertainer, someone who's always there with a ready smile.
It always sounds kind of trivial, but when I was a kid I was always so impressed by how serious the comic books were. I always liked how they were half way between literature and the cinema. I liked the visuals and I liked the simplicity of a certain type of moral dilemma.
One can hardly appreciate how academia has perverted its highest tasks and "ideals" without pondering long and hard the implications of Jacques Barzun's House of Intellect and its Hegelian/Bergsonian contrast between rigidified "intellect" and always-growing "intelligence." This fundamentally Hegelian distinction, needless to say, cuts to the quick of the contrast between Platonic and Aristotelian forms of philosophy.
Being blonde now doesn't mean Marilyn Monroe vulnerability. Blonde in the Eighties means being in control.
I wouldn't go blonde. I'd like to do a darker color - a really dark, dark red.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
I dyed my hair blonde when I was 14. My mom was not happy. But I love being blonde.
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