A Quote by Rita Rudner

I wanted to say things that were natural coming from me. — © Rita Rudner
I wanted to say things that were natural coming from me.
I was rapping because there were so many things that I wanted to say. There weren't enough words for me to articulate all of the things that I wanted to say in a three minute song.
Hard as it is to believe, there were three magazines fighting over me. 'Newsweek' wanted to keep me, 'ESPN The Magazine' was coming into existence and wanted me, and 'SI' wanted to bring me back. Isn't that amazing? I had a choice, like a free agent.
School and things that painters have taught me even keep me from painting as I want to. I decided I was a very stupid fool not to be at least paint as I wanted to and say what I wanted to when I painted as that seemed to be the only thing I could do that didn't concern anybody but myself. I found that I could say things with colour and shapes that I couldn't say in any other way things that I had no words for.
I can do what I want to do, lucky me. But when these people are coming at me and asking these things, they don't really care about me. And I have felt like there were all these people who just wanted to use me.
I was never consciously rebellious but I suppose comedy is a sort of act of rebellion isnt it? Coming from a quite liberal background, it never occurred to me that there was anything to rebel against because you were allowed to say what you wanted to say.
There were a lot of things in it that were important at the time to me. Cutter's Way movie was very relevant. And I wanted Cutter to succeed as a vet, as a guy coming back from 'Nam, because there were so many guys like that. And there were so many other movies at the time, like Apocalypse Now, Coming Home, and The Deer Hunter, that it was really important that the movie be believable, that I come across a pissed-off vet who'd been there and comes home angry.
I just wanted to say things that women wanted to say, but were afraid to.
I wanted an idea of the future, a new femininity. I wanted you to feel that you wouldn't quite know where these women were coming from and where they were going to.
I really didn't know what I wanted to do. I went to art school and tried a bunch of different things, but I knew I wanted to do something in the visual arts. And I'd always been around my dad's film sets, so the interest was there. But I didn't have the guts to say, "I want to be a director," especially coming from that family.
I had spend a lot of time looking at things intellectually, coming from the head, let's say, rather than the heart, and saying things that way. Turns of phrases became paramount to any kind of feeling behind them, which is not to say they were all devoid of that.
Earlier in my career, I was much more super-sharey. There were moments when I wanted to process things that were happening to me more privately, and I didn't have the space to do it, because once you let people in, they're in, and you don't get to say, 'Oh, I want this for myself.'
Chris Jericho and I were really excited about teaming together, but we didn't get to sink our teeth into what we could have done as a team. We really wanted to throw it back to the glory days of Pat Patterson and Ray Stevens. We were committed, we were coming up with team moves, and all of the things were made to work.
I built a reputation as a songwriter in the industry before my own hits. People were used to coming to me for songs. There were songs like 'Clown' and 'Mountains' that were my songs that I wanted to keep. But the record labels saw me as a songwriter. It was hard to get people to believe in me as an artist.
A lot of things that should not be written were written without checking with me, things that were not in good taste. That hurt me. That is why I stopped talking to the press. Because they didn't want to ask me. They just wanted to write what they felt like.
I remember travelling up and down the road, and I kept journals during my whole career, and I was always making notes about things I wanted to say, words I wanted to create, actions I wanted to do, things I wanted to do to make the character more imaginative and fantastical.
I wouldn't say we were middle class. There was not lots of money for nice things. But we never wanted for the things we needed.
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