A Quote by Rita Tushingham
After 'Honey' I read the rave reviews and thought I had it made. But it was two-and-a-half years before I was on the screen again.
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When I finally turned 18, I started to wonder if rave was now different to what it was and whether I'd missed out on the golden days of rave. So, I thought I'd talk to some of the legends in the game and get an education on how music was made, listened to and the rave scene from before I was even born.
I do remember that when we left [Bernard Leach] after two and a half years, we went home on a boat again - this was before air travel became really easy - and Alix [MacKenzie] turned to me and she said, "You know, that was a great two years of training, but that's not the way we're going to run our pottery."
I think if you're going to read reviews, you have to just concede that they are all right. And I think I read two very diametrically opposed reviews about my movie and I had to go, yeah, I agree with both of them.
I had a couple of movies that I was passionately involved with that I could never get made. 'Richard Pryor,' I wrote for - gosh - over a year. That was close to getting made for two-and-a-half years after that. We're still pushing it, you know. It is weird. Suddenly you wake up and it's like, 'God, five years have gone by.'
I had a couple of movies that I was passionately involved with that I could never get made. 'Richard Pryor,' I wrote for - gosh - over a year. That was close to getting made for two-and-a-half years after that. We're still pushing it, you know. It is weird. Suddenly you wake up and it's like, 'God, five years have gone by.
After I finished the Tycoons - on post-Civil War development - I realized how much I didn't know about the first half of the century, even though there had obviously been an enormous amount of development, so I read about and thought about that for a couple of years before I decided I was ready for a book.
I've seen many shows ruined by bad reviews and good reviews, so I always tell my actors not to read the reviews until after the run is over.
We stole a box of honey jars one time and went out in the woods and took care of the whole box. I don't think I touched honey again for 20 years. I never wanted to see honey again.
As an actor, especially one who's worked in casting, you read so many scripts, and some of them are terrible. They're terrible and they're getting made, and some of them are good but the female role is just painful or underwritten. So after years of that, I had this idea kicking around in my head for two years, and I thought, I'm just going to start writing.
I don't read my own reviews and I haven't for probably 15 years. I read other people's reviews, though.
I wrote 'Marvels,' which was about a guy who had two daughters, and I wrote 'Astro City Volume 2 #1,' which was about a guy who had two daughters. In both cases, about a year and a half or two years apart. And then after that, I had two daughters, about a year and a half or two years apart.
It feels so good to be able to be part of an action flick like 'The Raid' and to read the rave reviews in a number of film festivals.
I've done a number of things that get categories closed off in a way, so when I read 'The Long Walk' by Slavomir Rawicz and decided to do film, 'I thought, you know, this is going to be wonderful,' two and a half years, three years, whatever it was.
Reviews are great. I can read negative reviews and say, 'You know that point they made... they were dead on.'
Reviews are great. I can read negative reviews and say, You know that point they made... they were dead on.
Recently I made the mistake of opening a bundle of reviews that someone had sent me of a production from years and years ago, and someone had written a really lovely review except that it made a remark about the way I spoke: 'A lot of people find her voice terribly irritating.' Do they? I had no idea.
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