A Quote by Rita Tushingham
I don't know if I'm a gay icon or not, but with 'A Taste of Honey,' the audience were so touched by the whole story that it certainly helped matters. The characters were so sympathetic that it was as if you had met them.
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When we have gay characters on TV, they're just, kind of, gay for the sake of being gay. That's their personality. That's their whole backstory, that's their future story, that's their present story - it's just gay. Nobody's just gay.
And all the things I thought were mistakes and I did cartoons on them. And then I think I was the first cartoonist in the country to attack the war in Viet Nam and that helped influence a whole generation of young cartoonists who later on took up the battle. And that was exciting to know that I had helped influence work of young people who were moving this forum into a better and more exciting area, out of the more by the state that political cartooning had been in.
My dad was a homicide cop in the gay neighborhood in the city when gay neighborhoods were desperate, depressing, sad places run by the mob. The only gay people he'd met when I came out to him were corpses.
I had played many gay characters before, but they were finite - guest characters in TV shows or characters in plays.
Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader's imagination as the characters in their books. Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them.
You are alive tonight for a reason. You were created to love and to be loved. You were not meant to be alone. You are not alone. You were meant to do life with other people. You need people who know you. You need to know people. Your voice matters. We are certainly strong. But we are also certainly fragile.
I don't have a problem if someone else were to say that one of my characters is a good one and another one is not and is a bad one. I try myself not to have any judgment towards my characters, but certainly the audience might.
I always disliked that anytime you had gays represented in - and there were some exceptions, certainly - but represented in popular fiction, they were usually the goofy neighbor next door, you know? And I just thought, 'Well, I know a lot of gay people, and they're just as varied as the heterosexual people I know.'
'Push' had a story, 'The Paperboy' story you could just throw up in the air and shoot holes through the book because the story wasn't as strong. But I felt the characters were stronger in 'The Paperboy'; they were vivid.
I think I was probably looking for gay role models when I was younger, before I even knew or thought I was gay. I didn't really make the connection that they were gay, but I felt drawn to them because they were going against the grain, and I knew there was something that they had that everybody else didn't have. It was an edge.
We actually have some gay people that work with us, and we have a lot of friends that are gay, too, and I know that this song has inspired them... I know that coming out was tough on their parents and on them and the whole entire family. For a long time, some of them didn't get to hear 'I love you' from their dads or be accepted in that way. ... It's helped a lot of our friends... We don't judge anybody's lives.
We stole a box of honey jars one time and went out in the woods and took care of the whole box. I don't think I touched honey again for 20 years. I never wanted to see honey again.
And so they parted, she to the east, and he to the west. The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other's 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully.
The hardest bits of my book to read were the easiest bits to write because they were the most immediate. Probably because I had never stopped thinking about them on some level. Those bits I was just channelling and those were the most exciting writing days. The bits I found harder were the bits that happen in between, you know, the rest of living. There were whole years, whole houses, that I just got rid of.
[Some of the people I'd met] were wonderful people as human beings, and some people were more difficult. I could not see a correlation between their particular genius in playing chess and music and mathematics, etc. ... with human qualities. Some were really good, wonderful people, and some were difficult characters, but there was no clear correlation. But when I met some spiritual masters, [I thought that] there had to be a correlation, and it turned out to be true.
It's too bad you're not gay. Then again, if you were gay, I would never date you. You're a mess." You know, Patrick? If I were gay, I'd want to date you." Of course.
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