A Quote by Rita Volk
I think, as an actress, whether you want to or not, whether you're ready for it or not, people are going to look at what you're doing, and they are going to look up to you, and it's not even really about you; it's who you portray on the screen.
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Whether you look at these recent PISA results, which we are mediocre at best, whether you look at a 25 percent dropout rate in this country, whether you look at, in one generation, we're not doing what we need to be doing to keep America great.
Your problem is how you are going to spend this one odd and precious life you have been issued. Whether you're going to spend it trying to look good and creating the illusion that you have power over people and circumstances, or whether you are going to taste it, enjoy it and find out the truth about who you are.
If you have to become a filmmaker, find a story that takes you away, and tell that story. Don't think about whether it's going to sell, or whether it's going to make money, or whether it's going to appeal to distributors. Do something from the heart that really matters, and then you'll do something good.
If you're in the public eye and you have young girls who look up to what you do, they're going to look to you for certain cues, so you have to take that as a responsibility, whether you think you deserve it or not.
For me, I look at the faces of my kids and I think about the future that is going to await them and whether they're going to not just have the financial resources to be prepared for the challenge, but whether they're going to have the strength and the stamina to live healthier, longer lives so that they can see their kids and grandkids. That's the legacy I hope to see, and it can have nothing to do with me and I'd be perfectly happy.
You [as an actor] have a responsibility to Jonathan's book and you have a responsibility to talk about a subject that is going to be, whether it's contentious or not, it's going t bring up a huge, emotional response from people. A lot of people will say they are ready or they're not ready.
There's so many shows, whether it's 'Last Week Tonight' or 'The Daily Show' or 'Full Frontal' or 'Late Night With Seth Meyers,' that are really doing great stuff talking about what's going on in the world and what's going on with the president, and those stories that everyone winds up talking about, whether on social media or in their jobs.
When you make music, and even if it's commercially successful, it doesn't mean that it's going to hold up. It takes time to sort of take stock of what you've done and whether it's got legs and whether it's going to really have a place.
We always for better or worse try to put on paper what's going up on screen - whether we're directing it or not. It's really just an extension of that habit which is trying to tell the reader what the movie will look like. Ultimately that is the job of a screenwriter to a certain extent.
I think that something that people in general forget to do - and it's true, not everyone has the financial means to do this - whatever clothes you buy if you really want them to fit well, you need to have them altered or tailored. And whether you're doing that yourself, whether you're taking it to your drycleaner that has a tailor, you need to alter and tailor everything, whether it's expensive, whether it's, you know, whether it's inexpensive. If you want it to really fit your body, even the best clothes have to be tailored.
I'm a big believer in playing truth and not doing things for effect. It's not about whether you look pretty or glamorous. It's about whether people connect.
Here we are, worrying about whether we're thin enough or whether our bottom looks too big in this pair of trousers or even whether or not I should wear a hat - does it really matter in comparison to the important things that are going on in the world?
Whether you hear me come out with another album or whether you hear any one of the Clan members, we're always going to involve everybody. When I look at 'Only Built 4 Cuban Linx, Part II,' I look at that as a Wu album. You feel me? Even though it was my brand and my thing that I done, I had my dudes on it.
Malcolm Gladwell was on TV talking about wanting to have college football banned. It's interesting just because of him even bringing the topic up. Sooner or later, whether people are for or against it whether they like it or not, that is going to be a discussion that is going to come up. That's how it all starts - someone brings up the inquiry: Should we continue to let our children play Pop Warner, high school, and college football? Ten, 15, 20 years from now, who knows where that conversation is going to be.
You can never really predict how people are going to react, what they're going to think about, whether they care.
Sometimes I go to a test screening and look at the audience in line, and I start to go, "Okay, I bet this is going to work, and this isn't going to work." It's weird, but just going and facing the music and putting it out before a crowd, even before it starts playing, that exercise of putting it up on a screen for people makes you realize things even before it starts rolling. It's really weird. I've heard other people say that, too.
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