A Quote by Rita Wilson

I always wanted to sing. I didn't know how to do it. I didn't know how to make the singing thing happen. — © Rita Wilson
I always wanted to sing. I didn't know how to do it. I didn't know how to make the singing thing happen.
A lot of players know how to play the game, but they really don't know how to play the game, if you know what I mean. They can put the ball in the hoop, but I see things before they even happen. You know how a guy can make his team so much better? That's one thing I learned from watching Jordan.
At school, I'd be the dude singing to the girls, always up in the auditorium, in the lunch room singing Christmas carols, in the halls between class. I was always singing, and same thing with my grandfather. The apple doesn't fall too far from the tree; you know how that goes.
I think I wanted to sing, but I just couldn't because I was so shy. I didn't really know how to begin that other than like, singing in my room, locking the door, and trying to sing kind of quietly. I knew my mom would want to listen and she would probably bug me about it.
My energy to sing, I get it from my singing. Singing was not a reason to make a living. This is the only thing I wanted to do.
You know, YOUR President, the one with the big ears-he ain't my President - had that woman singing for him at his Inauguration. She's going to get her [expletive] whooped. How dare Beyonce sing MY song that I been singing forever. Now I'm going to sing it for y'all.
When I'm doing sports, I always think of how it's related to singing, and when I watch tennis, I learn a lot for my singing: how the players are focused, how they use their technique, and, in the case of Roger Federer, how effortless it is and how beautiful it is to watch - like bel canto, in a way. That's how singing should be.
I mean these people who work on Broadway, in my opinion, are the most gifted of everyone. I mean they really know how to dance. They really know how to act. They really know how to sing. They know how to perform.
I always thought it mattered, to know what is the worst possible thing that can happen to you, to know how you can avoid it, to not be drawn by the magic of the unspeakable.
At school, I'd sing in groups in the locker room or in the bathroom, which was like an echo chamber. The problem is I didn't know how to get started singing professionally. The pool hall was my Facebook. I'd hang out there to keep up with what was going on and to let people know where I could be reached if singing jobs came up.
In order to survive in a very small tribe, you needed to know how to do lots of things for yourself: how to make your tools, how to get food, and how to make your clothes - things most of us today don't need to know. The only thing I need to survive is to know history.
I don't know how to be like a Bill Murray or a Will Ferrell, these guys who know how to make a line funny just by, I don't know, some extra-sense perception. I only know character and emotion and real acting; that's all I know how to do.
I always loved slow jams and wanted to make them, but didn't know how I could because I couldn't sing. Then Barry White made 'Love Serenade' in which all he did was talk the entire jam. I said, 'I can do that.'
I want labor to be the point, because everything in our lives is miraculously made with no idea of how it's done. As an active and critical consumer, and as someone who has attempted to make the flawless and failed, I wanted a transparency of construction here. If we know how it is made and how it falls apart, we will know how to rebuild it.
Somebody who knows all about how to make the record, or how to make records, they know how to work the EQ and they know how to work the stuff, but they don't know what I want it to sound like. So it's just easier for me to do it myself.
You can't teach it [jazz singing]. There's nobody who can teach you how to sing jazz. Either you know how to sing jazz, or you don't.
We know how to treat depression, we know how to treat mental illness, and we have not had the political will in our country to make it happen.
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