A Quote by Ritchie Blackmore

In my early days, I never used finger vibrato at all. I originally carved my reputation as one of the 'fast' guitar players. — © Ritchie Blackmore
In my early days, I never used finger vibrato at all. I originally carved my reputation as one of the 'fast' guitar players.
These days, my main guitar amps have been Magnatone. They're beautiful. Magnatones have actual tremolo, which I recently learned about guitar amps. Often what guitar amps call vibrato is really just a volume Up and Down. But Magnatone has a true vibrato, which is pitch bending. And so, it's just a lush sound.
When it comes to vibrato, a lot of people look at their hands when they do it. Which is pretty much of no use. Because vibrato is one of those things you have to hear. There are some guitar things where the visual is really useful, like seeing chord shapes or scale patterns. But vibrato isn't one of those things.
I am trying to build the biggest callus possible on my first finger so I can do one-finger bends and vibrato like B.B. King.
I'm a guitar player. I've carved out my own style of guitar music, so I don't look for inspiration with playing guitar.
I grew up not really listening to guitar players. Especially when I was studying music, I was just interested in piano players and arrangers and composers; I came to playing in a band from the perspective of someone who never expected to play guitar in a band.
Earl Scruggs wears two finger picks and a thumb pick, and by alternating them, he can play about as fast as he wants. So it's this action. You know, you couldn't move one finger that fast, but all three, it's pretty easy, and it's kind of an incredible leap.
I suppose when I started playing guitar, it was the means to an end. I never thought of myself as a fully fledged guitar instrumentalist. And my early excursions on the electric guitar were curtailed when Eric Clapton came on the scene, and I decided I was never going to be in the same arena as a Clapton or a Peter Green.
I used to be a session musician before I was a wrestler. I played bass guitar. I was big pals with Lars Ulrich, and he asked me if I wanted to play bass with Metallica in their early days, but it didn’t work out.
My vibrato was my weakness. With romantic pieces, I could be a lot more schmaltzy. My wider vibrato fit that.
I only took about five guitar lessons in my life from an actual teacher. I learned fast that that wasn't for me. I didn't have the attention span to learn that way. So I learned the basics from my dad, then just from playing on stage, and watching other guitar players.
.. the Grand Ole Opry used to come on, and I used to watch that. They used to have some pretty heavy cats, heavy guitar players
I don't even wanna say female guitar-players, just guitar-players, because music of all things doesn't need to be gendered and stratified, that's so boring.
We were disliked by the press in the early days because they couldn't put their finger on us, and that was the case with Zeppelin as well.
In my time at Arsenal, we had a really good balance. We had players who were fast, players who were really strong physically, and players who were really creative. When you look at the generation of Arsenal at the moment, they may be playing better football than we used to, but they win less than we used to - so, where's the balance?
Salah's one of the best players in the world. He's fast, but I've played against other fast players such as Mbappe.
I listened to classical guitar and Spanish guitar, as well as jazz guitar players, rock and roll and blues. All of it. I did the same thing with my voice.
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