A Quote by Ritchie Blackmore

Stevie Ray Vaughan was very intense. Maybe that's what caught everybody's attention. As a player, he didn't do anything amazing. — © Ritchie Blackmore
Stevie Ray Vaughan was very intense. Maybe that's what caught everybody's attention. As a player, he didn't do anything amazing.
My guitar setup is inspired by Stevie Ray Vaughan.
It's definitely true that Stevie Ray Vaughan is one of my all-time favorite guitarists.
I used to watch MTV when they played music, and discovered Robert Cray, Stevie Ray Vaughan, Jeff Healey.
I've said that playing the blues is like having to be black twice. Stevie Ray Vaughan missed on both counts, but I never noticed.
I was inspired to play electric guitar from listening to a lot of Carlos Santana, Stevie Ray Vaughan, and B.B. King, and that's always been the kind of music that I gravitate toward.
I've always been a fan of Buddy Guy as a guitarist, as well as Stevie Ray Vaughan and those blues guys. I'd say those are pretty big influences on me.
I used to sit for hours and copy every lick on those early AC/DC and Kiss records. From there, I went on to Eric Clapton and Stevie Ray Vaughan. After a while, you kind of develop your own style.
It is a well-known mystery that guitar players suddenly get better once they are dead. Buddy Holly was the first. Stevie Ray Vaughan is known by a lot more people than had ever heard of him when he was alive.
I think there are always people who, when they get the bug to play an instrument, they want to get as good as they can with it rather than just be simply adequate at it. You run into them every once in a while - some kid who wants to be the next Stevie Ray Vaughan, for whatever reason, and plays exactly like him.
Ray Charles, who said to Stevie Wonder, Maybe we're white. Never got a dinner!
I was reading an article with Stevie Ray Vaughan a long time ago, and the number '1959' stuck out to me for some reason. So I started searching those out as the band got more popular and I could actually afford one. And I found this one in Los Angeles. That's what introduced me to the whole world of 1959s.
I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.
Before leaving, I was seen as a good player, perhaps as a very good player, but as one of the many players that Bayern had. But if you play as a Real footballer, you get even more attention. Maybe that part from the fans I do not like so much.
Quincy Jones' autobiography 'Q' is very good. Because he's a master at music, he's one of our greatest composers, and its good for him to have a book and tell the good ole days when he was with Duke Ellington, Count Basie, Sarah Vaughan and Ray Charles.
Stevie Wonder is just one of those guys that completely delivers everything that you want to be true about Stevie Wonder. He's an amazing human being, and the fairytale exists with that man.
Everybody hangs out with everybody, which is very strange for a cast this large and this young. We're all cool and down to earth and not caught up in this maniacal business at all.... Everybody really, really likes everybody else.
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