A Quote by Rithvik Dhanjani

I'd like to be part of out-of-the-box films like 'Shahid.' I see myself being part of realistic cinema. — © Rithvik Dhanjani
I'd like to be part of out-of-the-box films like 'Shahid.' I see myself being part of realistic cinema.
I try not to see new comics - their acts or their films. Part of that is professional. I don't want to be influenced. But another part is fear and jealousy. I'm afraid to see how good they might be. I don't like that emotion, but it's part of me.
I think with Shahid Khan I knocked at the door of Indian cinema. It was a beautiful character and Anurag Kashyap managed to bring that on screen with the same beauty. I was lucky to play him and become a part of a milestone film like 'Gangs of Wasseypur.'
Cinema might have it's share of ups and downs, it can't go. It is a very major part of everybody's life. It is a process like going to cinema halls, watching films on the big screen.
I love being part of cinema and I don't see myself doing anything else.
I don't turn my nose up at anything. If it's a great part, it's a great part. It's not like, "I don't make studio films; I work for David Lynch and maybe a few American Playhouse directors, but that's it" - I'd love to do a box-office hit.
If you have a meaty part to play, I don't see the harm in being part of multi-starrers. Moreover, I will be happy to be a part of a good film than playing lead roles in some bad films.
In the early '90s, when those little art films started coming out, we were introduced to Quentin Tarantino and guys like that, and independent cinema was something that everyone wanted to be a part of.
Films like 'Jungle' are rare. It was a powerful role and in the future I would like to be associated with such films rather than being part of nonsense stuff.
I can see her clearly, standing on the rock beside Peg Gratton, unflinching before Eaton and the rest of the race committee. I can't remember when I've been that brave, and it shames me. The truth is, I feel myself being fascinated and repelled by her; She's both a mirror of myself and a door to part of the island that i'm not. It's like when the mare goddess looked into my eye; I felt that there was a part of myself that I didn't know.
I don't see myself doing slapstick movies or being a part of them, even if they get the box office ringing. It's not my space; I haven't reached that point.
I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
After doing 'Firefly' and moving on, I always wanted to be part of a series again. I love doing films, too, but there's just something special about being part of the team and feeling like you're actually a part of the family, and I always look to re-create that.
That's grossing money for other people that has a multiplying factor, but the government doesn't see that. It doesn't see that making a film or culture or art is part of our economy. But the main reason is this, it's part of our identity. I think cinema is the memory and the imagination of the country. Take the memory and imagination out of an individual and he's stops being an individual.
I'm at peace with myself. My film just may please audiences. At any rate, it's already a great prize to be part of just 16 films among all of the world cinema out there. I'm tranquil and satisfied.
I like to see people put themselves into films, which is part of the reason why I love Woody Allen films so much - I believe his actors' work. I have a feeling that many actors in his films are similar to their characters, and I like that.
A movie is a mass consumption product. I have got no delusions about being niche. I don't want to be niche. Though in the earlier part of my career I was into niche cinema, doing independent films - and I do have a revolutionary bent of mind - but you cannot make a change from outside; you have to be a part of it.
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