A Quote by Rithvik Dhanjani
If you are a good actor, then all you have to do is give your best shot every time when you are in front of the camera regardless of who else is around you.
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Ultimately your job as an actor is to perform however you're being asked to perform and there's many different procedures as an actor that you're going to run into that you should be prepared for and be ready to go to work and do the best you can and give the director the best thing you can to hopefully give him things on that day that could be shot preserved and out into a canned, then when they go into the editing room that's where a movie's made.
Any actor working a long time should know how a shot is set up, where to place themselves, how to handle the lines. I'm a member of the crew, like the best boy, the electrician. What I'm good at is making eyes at the camera.
Give it your best shot, have a good time and if it doesn't work at least you tried!
'Spider-Man' was the best time of my life. I was there with my best friend. We shot in Atlanta. We shot every day and just had an absolute blast. 'Avengers' was crazy because you're on set every day with actors I never dreamed I would work with. I'm as much a fan as anyone else.
If you put the time in and you do your work and you eliminate the surprises, then you give yourself the best shot.
I need to admit up front that I don't know how to have a fling. I'm not good at playing around and then saying good-bye. I'm throwing myself at your feet because I'm hoping for a shot at forever." Henry Jenkins/Mr. Nobley
I've always said the one advantage an actor has of converting to a director is that he's been in front of the camera. He doesn't have to get in front of the camera again, subliminally or otherwise.
I have been doing this since I was nine years old. So whatever the role is, I am going to do the best I can do. The only thing I am concerned with is stepping on the stage in front of that camera and giving the best performance I know I can give, day in and day out as an actor.
I'm amazed how unable I am to deal with the demands that are made on me as an actor. Not the one I enjoy, which is standing in front of a camera or onstage pretending to be someone else but everything else that comes with it.
You need passion and commitment in your sport or else you will never survive that long. Of course you also have to give it your best shot and be responsible for your own behaviour both on and off the field before you can fully enjoy the game for such a long period of time.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
In case you haven't heard, my girlfriends and I have declared the summer of 2012 as the best summer ever. The best way to document said 'best summer ever' is with a good ol' disposable camera. Smile, click, move on! Nobody gets pic approval, and there's no time wasted gathering around the camera to analyze a moment that just happened.
I did a lot of theater, so especially as an on-camera camera actor, there are so many things that aren't in your toolbox. They're somebody else's job. You think about editors and rhythm. Volume isn't even in your control.
Onstage, I enjoy the thrill of live performance - there is no substitute for that rush. On camera I enjoy the crafting of a scene, the widespread creative marksmanship happening all around you for every second of footage. Onstage you can suddenly feel solitary, like it's all on your shoulders, while on camera you feel like there are so many people working with you on every shot. Those are each unique and gratifying challenges.
As a director, what matters is how you penetrate the soul of the person in front of the camera and let the actor blur the boundaries between the character and the person themselves. In order to achieve that, I try to make people feel at ease, to be mindless of problems and be skinless and give everything to the camera.
What is important is for me to do my best work on camera. The camera is inches away from you and sees every micromovement of every muscle of your eye. And if you're not relaxed, the camera sees it.
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