A Quote by Ritika Singh

I really want to act and act in great roles, which have scope of performance. — © Ritika Singh
I really want to act and act in great roles, which have scope of performance.
I don't have to act for work anymore; I can act for passion. That's freeing, but it's also a prison of its own. When you can do anything you want, you're really responsible to do something great. And that's scary.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
It's fun to get away from myself for a while when I take on these roles that have very different personalities from my own. I get to say things I normally wouldn't say or act in ways I normally wouldn't act. After all, such roles are more challenging because you really have to immerse yourself in the character.
The very act of faith by which we receive Christ is an act of the utter renunciation of self, and all its works, as a ground of salvation. It is really a denial of self, and a grounding of its arms in the last citadel into which it can be driven, and is, in its principle, inclusive of every subsequent act of self-denial by which sin is forsaken or overcome.
When I began my journey in films, I never thought I'd be playing the lead in my films and was keen to move ahead with roles that give me scope to act.
If you want a quality, act as if you already have it. If you want to be courageous, act as if you were - and as you act and persevere in acting, so you tend to become.
A great trick that I learned having worked as a screenwriter for many years, the way screenwriters work, is they break the project down into three-act structure: Act 1, Act 2, Act 3. I think that is a great way to break down any project, whether it's a new business or anything at all.
Someone told me once - I mean I said, "Is it ok that I don't really know what the three-act structure is?" And he said, "It's basically: Act 1: a guy climbs up a tree; Act 2: people come and throw stuff at him; Act 3: he gets down."
Why does a woman carry a gun? Because, under our system, every citizen has the latitude to act in the absence of police; the latitude to act reasonably, to act immediately, to act in defense of self, to act in defense of another, to act with lethal force, to act with her acquired training and to act not in anger but to respond in purpose. To exercise the protections of that latitude in public policy, public interest and practical safety, all that is demanded of her is that she act reasonably under the circumstances.
Although we can't control which roles are assigned to us, it must be our business to act our given role as best we possibly can and to refrain from complaining about it. Where ever you find yourself and in whatever circumstances, give an impeccable performance.
Living from the perspective at which you came from and returning to source really is an act of remembering, rather than an act of learning.
I don't want to be a glamour doll. I want roles which provide me the scope to perform.
I'm really hoping to find something that I feel as connected with as I did with 'The Florida Project.' I want to feel that passionate about things that I work on. I don't want to just act to act.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
I can’t really act the way I want to act, or say what I want to say all the time. And a lot of times, I cover that up with a smile.
There is one act par excellence which profanes money by going directly against the law of money, an act for which money is not made. That act is giving.
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