A Quote by Rituparna Sengupta
Despite explaining that it's just a mechanical process, my husband, Sanjay, would initially ask whether an intimate shot was very necessary. I invited him over to the sets when I shot those scenes, but he never came over. I admit that there have been fights over this issue too.
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Before every game I used to go out and shot the same shots over and over and over. In the summer time I spent a lot of time just shooting. So really it just came natural. Whether it's a tie game or down by 1 or up by five, it was always the same shot. So I always felt comfortable with the ball in my hands because it was in there a million times before.
'Blacks were too scared to do anything, but they came out to greet James Meredith': That would have been the story in the evening news if I hadn't gotten myself shot. I got shot, and that allowed the movement protest thing to take over then and do their thing.
I just shot my first dramatic movie in France, and for those dramatic scenes that I shot, I would not want to look at those. There's a certain mindset you have to put yourself into for those scenes, and looking at the monitor would just take you out of it.
As every golfer knows, no one ever lost his mind over one shot. It is rather the gradual process of shot after shot watching your score go to tatters - knowing that you have found a different way to bogey each hole.
[Keeping Up with the Joneses] is not one of those movies where people get shot and fall down and there's no reality of what would happen if you got shot and knocked over a motorcycle. It's meant to be a slight comedy in that sense.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
I don't know that I would have the courage to come over to a new country where the religion is different, the language is different, where I don't have any money. The thought of starting over like that in the way that many refugee families have to start all over again - that's an incredible thing to think about. One of the things I tell about Refugee is that unless you're Native American or a descendant of slaves, your family immigrated to this country - whether they came over on the Mayflower or whether they came over on a raft last year.
I've missed more than 9000 shots in my career. I've lost almost 300 games. 26 times, I've been trusted to take the game winning shot and missed. I've failed over and over and over again in my life. And that is why I succeed.
I had one line. My two larger scenes had gone fine, and then on that day I screwed up that line over and over and over again. And every time I screwed it up, they can't use the whole thing because they're only using the one shot [in Blue Jasmin]. That was my last day.
I'm very interested in film making. It's telling a story, fiction or non-fiction. I have been filmed quite a lot. Contrary to popular belief, filming isn't glamorous. It can be wearingly repetitious, as the same shot is taken over and over again.
I don't worry about the last shot or the next shot. I concentrate. Every shot gets a clean slate. And when a shot is over, I wipe it out absolutely. Tell a joke or something. If you worry about how you looked, how well you did, you'll go insane.
The Red Wedding was an amazing experience I'll never forget. We rehearsed it like a play over one whole day, and then shot it over five days.
I mean, I've done college basketball, a horse race, a bunch of different things and they'd blow by but golf has a frenetic pace of bouncing around from shot to shot and green to green and, in essence, acre to acre over this huge plot of land with over 150 players who are their own team.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
I wasn't expecting a proposal from Aamir that night, especially when he had waited long hours for my shoot to get over and I too was drained after giving back-to-back scenes that involved portraying a lot of mental traumas and crying. As I came out of my shot, he stood in front of me, went down on his knees and proposed marriage.
Men love explaining things. But when he's explaining something and you already know that, it might be tempting to say 'I already know that.' Instead, have him explain it to you over and over again. It will make him feel useful and will give you some time to think about out how to avoid him in the future.
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