A Quote by Rituparna Sengupta

I feel I like portraying women-centric roles, since I can express pent-up frustrations and suppressed feelings lying deep inside a female soul. — © Rituparna Sengupta
I feel I like portraying women-centric roles, since I can express pent-up frustrations and suppressed feelings lying deep inside a female soul.
... social roles vary in the extent to which it is culturally permissible to express ambivalence or negative feelings toward them.Ambivalence can be admitted most readily toward those roles that are optional, least where they are considered primary. Thus men repress negative feelings toward work and feel freer to express negative feelings toward leisure, sex and marriage, while women are free to express negative feelings toward work but tend to repress them toward family roles.
White Americans must be made to understand the basic motives underlying Negro demonstrations. Many pent-up resentments and latent frustrations are boiling inside the Negro, and he must release them. It is not a threat but a fact of history that if an oppressed people's pent-up emotions are not nonviolently released, they will be violently released.
Women are given their due, and I think female-centric roles are also well-written. But it doesn't matter who is in the centre - a male or female. As long as it is an entertaining, gripping film, people just enjoy it.
The institutions of human society treat us as parts of a machine. They assign us ranks and place considerable pressure upon us to fulfill defined roles. We need something to help us restore our lost and distorted humanity. Each of us has feelings that have been suppressed and have built up inside. There is a voiceless cry resting in the depths of our souls, waiting for expression. Art gives the soul's feelings voice and form.
?She didn't understand what it was like to be filled with a love so strong that it made your chest ache—a love you could only feel and not express. Keeping love buried was a lot like keeping anger pent up, I'd learned. It just ate you up inside until you wanted to scream or kick something.
The English are loth to express their feelings, but in my stall in the choir I could feel the pent-up, passionate emotion, and also the fear of the congregation, not of death or wounds or material loss, but of defeat and the final ruin of Britain.
Historically men have suppressed women quite effectively. They have suppressed women since the beginning of our history.
If you're adopted, you can't help but feel, somehow or other, deep, deep, deep down inside that you don't belong. It makes you feel like you've got a question mark inside you.
I rarely cry. I save my feelings up inside me like I have something more specific in mind for them. I am waiting for the exact perfect situationand then BOOM! I'll explode in a light show of feeling and emotion - a pinata stuffed with tender nuances and pent-up passions
if one's natural feelings are suppressed long enough one develops supernatural feelings and feels surer of having a soul.
I think a fear of portraying something negatively ends up creating more stereotypes. Like a fear of going into these negative feelings that I have had and a lot of women that I've spoken to have had creates these sort of plasticky women.
The one thing I loved about blues and soul was the way they taught the world how to express such deep feelings.
Look at children. Of course they may quarrel, but generally speaking they do not harbor ill feelings as much or as long as adults do. Most adults have the advantage of education over children, but what is the use of an education if they show a big smile while hiding negative feelings deep inside? Children don?t usually act in such a manner. If they feel angry with someone, they express it, and then it is finished. They can still play with that person the following day.
I do feel, like everyone, there's not enough female directors out there, there's not enough female producers, and would like to see more people get more opportunity, more opportunity for roles for women.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
There are certain aspects of me that can be bad-ass sometimes, but being able to push it to the extreme is something I'd love to play. You don't get those roles, as a female, and especially as an indigenous female. There aren't those roles out there, so I want that. I want women to see a strong, sexy female without showing her body too much.
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