A Quote by Rituparna Sengupta

I have always devoted time and energy to Tollywood because Bengal is very important to me. But I want to concentrate equally on Hindi cinema because that's where all the action is.
The audience had a huge expectation from me in Bengal, and now in Hindi also people have started expecting from me because they know I am a senior actor from Bengal.
I am very much a product of commercial cinema in Tollywood, and people ask me why I don't do masala films in Hindi. I am very eager to do them, but somehow I am perceived as a serious actress here.
Bengal is a very important seat of cinema for me. I can't even think of giving it all up.
When I made 'Satyamev Jayate,' which is a typical Hindi action masala film, people told me it won't work because only real cinema worked. But it was a hit.
But the time in Portugal was very important for me because I've always been comfortable with the ball, but I think I proved that even more there because it was a very important thing in the game.
I do not want to be a part of Hindi cinema's rat race. But yes, if I get offers and characters which I feel would suit me as well as make some difference to me, I will do a Hindi film.
I think that's because believable action is based on authenticity, and accuracy is very important to me. I always spend time researching my novels, exploring the customs and attitudes of the county I'm using for their setting.
I think cinema is needed throughout Africa, because we are lagging behind in the knowledge of our own history. I think we need to create a culture that is our own. I think that images are very fascinating and very important to that end. But right now, cinema is only in the hands of film-makers because most of our leaders are afraid of cinema.
I want to get on to defeating ISIS, because I want to get on to creating jobs, because I want to get on to having a strong border, because I want to get on to things that are very important to me and that are very important to the country.
Directing a Hindi movie for the first time was easy because Hindi films have been batwing doors for me since 1992.
I fish because I love to . . . because I love the environs where trout are found . . . because I suspect that men are going along this way for the last time, and I for one don’t want to waste the trip . . . and, finally, not because I regard fishing as being so terribly important but because I suspect that so many of the other concerns of men are equally unimportant––and not nearly so much fun.
Dubbing for myself in Hindi is a big task. I know Hindi. I can read and write Hindi, but I dont normally speak the language, and that is very important.
I don't mind acting in Hindi films, but the script has to suit me. It has to be a boy-next-door role because that's the image I have in Tamil cinema.
I remember breaking the news to both my parents that I wanted to be a director, and they both looked very doubtful. They didn't know what a closet Hindi film buff I was. I used to dance to old Hindi films songs on the sly, so my decision to be a part of Hindi cinema was shocking even for my parents.
I have worked really hard to reach where I am - I worked hard on my Hindi and diction because I am a Parsi and Hindi is not my strong point, and I've also learnt Tamil and Telugu because I want to get my lines right. I want to be known as a performer.
If you accuse me of being on drugs because I'm very focused on what I do, because I'm very serious, because I'm very hungry, because I can squat 800 lbs, because I can bench 500 lbs, because I can press 315 behind my neck, and if these things don't fit under what you consider to be natural, then I don't want to be a natural. I don't want to be what you depict as a natural. I want to define myself for me.
This site uses cookies to ensure you get the best experience. More info...
Got it!