A Quote by Rituparna Sengupta

I've done a lot of Bengali films with heavyweights like Rituparna Ghosh, Buddhadeb Das Gupta and carved my niche with both commercial as well as art films. — © Rituparna Sengupta
I've done a lot of Bengali films with heavyweights like Rituparna Ghosh, Buddhadeb Das Gupta and carved my niche with both commercial as well as art films.
Cinematically, anything like 'Khawto' in Bengali cinema hasn't happened. Yes, you get such films in Hollywood, a few in Bombay. In Bengali literature, you get such stories in the works of Samaresh Basu and Buddhadeb Guha.
Commercial Bengali movies are all crass imitation of Telugu and Tamil movies. There are only a handful of directors like Rituparno Ghosh, Aparna Sen and Gautam Ghose who make quality films.
I am 100-films old. In my heyday, I have done a lot of commercial films, including dancing around the trees with the heroine. But after working with Rituparno Ghosh, my understanding of cinema changed. Whatever good I am doing, it is because of him. If I am being called a good actor, it is only because of him.
My forever mission is to take the best elements of both commercial and independent films and bring them together. I learned so much about the art of independent films and I have so much fun in commercial ones. I think that a mix of both is good.
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
I see a lot of similarity between Bengali and Malayalam films regarding the basic emotions, the craftsmanship, art and performance. I also feel both the industries are very true to their art and culture.
I have a problem with the present definition of commercial films. To me, 'Ghare and Baire' is an absolute mainstream film. There are also many films I have worked in that have been called art films by many. But I consider commercial.
I'm coming from an artistic background, from Europe, making films with Lars Van Trier like 'Breaking the Waves,' 'Dancer in the Dark,' all his films, 'The Kingdom.' But I like both, I like the totally artificial, commercial films where the actor has five or six bodyguards, I like that.
Tokyo is wonderful for distribution of international films, a lot of Iranian films, Taiwanese films. But most of the art films are from Europe and Asia.
I have introduced my daughter to the literary classics and landmark Bengali films. I want her to be well-versed in English but not at the cost of Bengali.
Based on a taut screenplay by Nabendu Ghosh, 'Do Anjane' was a Hindi adaptation of Nihar Ranjan Gupta's famous Bengali novel, 'Ratrir Yatri.' It was my first chance to rub shoulders with the immensely talented Amitabh Bachchan and we went on to become a super hit pair.
People talk about making art films - experimental films. I can make an art film every day of the week. Nothing to it. What's difficult is to combine a commercial film with art.
I'm obsessed with all things Bengali, man. I love fish, my maid is Bengali, I acted in Bengali and Bangladeshi films.
I try to balance independent films with commercial films, and I've done a pretty good job of it over the years.
I am glad that we can make bold films, different films within the commercial market and still do well.
I want to do comedy films, serious films - I admire the actors who fly under the radar but get loads done, pop up in a lot of good films.
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