A Quote by Rituparna Sengupta

I got my name, fame, identity and even my National award from Bengali cinema. — © Rituparna Sengupta
I got my name, fame, identity and even my National award from Bengali cinema.
I'm in the Rock and Roll Hall of Fame, the Songwriters Hall of Fame. Jimmy Page gave me the MOJO Maverick award. I got an Ivor Novella Award for my very first song.
Everywhere I go today, people talk about Bengali cinema. I completely refuse to accept that Bengali filmmakers are not making good films.
Cinematically, anything like 'Khawto' in Bengali cinema hasn't happened. Yes, you get such films in Hollywood, a few in Bombay. In Bengali literature, you get such stories in the works of Samaresh Basu and Buddhadeb Guha.
I owe all the name and fame I have earned to regional cinema.
There are quality films being made in all languages, whether in Hindi cinema, Bengali or the south. Bollywood doesn't represent Indian cinema, per say.
Some felt my looks would not go down with the Bengali audience. They felt I was not photogenic. Others felt I was just what Bengali cinema needed when there was lack of glamour for heroine roles and there were few leading ladies around.
American cinema tends to express a patriotic relationship to national identity on a regular basis.
It would be a sad story to get rid of religious belief, national identity, family, and even sexual identity. That's not freedom.
The song 'Bolo Naa' from the film 'Chittagong,' which got me the National Award, wasn't even promoted in India, whereas the film won laurels all over the world.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
I'm obsessed with all things Bengali, man. I love fish, my maid is Bengali, I acted in Bengali and Bangladeshi films.
How many more copycats are waiting in the wings for their moment of fame — from a national media machine that rewards them with the wall-to-wall attention and sense of identity that they crave — while provoking others to try to make their mark? A dozen more killers? A hundred? More? How can we possibly even guess how many, given our nation's refusal to create an active national database of the mentally ill?
I deserved the National Award for 'Border,' but got it for 'Refugee.'
Syrians have a national identity beyond the sectarian divide. Syria's national identity would be weaker and poorer if it didn't have this beautiful pluralism between Arabs, Kurds, and sects.
The fact of the matter is fame predates even the age of cinema. There's always been fame, there's always been the caveman who's prettier or killed a bigger lion, or somebody started a story about a guy.
We are undermining a generation's happiness by depriving them of national identity, religious identity, and gender identity
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