A Quote by Riz Ahmed

I think creativity is something that best happens when you have clear parameters. If you're not confined by anything then it's meaningless. You've got to rap over the beat, or you've got to color within your canvas. You pick the canvas size first. That makes most sense to me.
There is an exercise I teach at colleges: Get yourself a canvas and a bunch of acrylics and go into a very dimly lighted room. Dip a brush into one of the colors, slap it on the canvas, don't look, close your eyes, make a painting, don't look, turn the lights on and see what you've got. I think this releases people from the editor in their life that's always standing over their shoulder saying, "Oh, you don't have any talent; who do you think you are?"
We're an industry obsessed with the storytelling side of things, the content. And then we got obsessed with the canvas. Is it going to be on television? Is it print? And now the canvas is mobile. But what we really need to think about is the context. The context is where and when the person is consuming it - location, time of day.
When I was in art college, I would be painting, and I would create something on a canvas that was actually quite attractive. But if I got frightened and tried to protect that, that canvas would die.
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
Chase used to say, 'When you're looking at your canvas and worrying about it, try to think of your canvas as the reality and the model as the painted thing.'
The key is to photograph your obsessions, whether that’s old people’s hands or skyscrapers. Think of a blank canvas, because that’s what you’ve got, and then think about what you want to see. Not anyone else.
Kids will always find something to pick on, whether it's your color, your religion, the way you look, your size. You try and stand up for yourself, but it's really difficult when you've got 20 or 30 girls against you.
It is often during the worst of times that we see the best of humanity–awakening within the most ordinary of us that which is most sublime. I do not believe that it is circumstance that produces such greatness any more than it is the canvas that makes the artist. Adversity merely presents the surface on which we render our souls’ most exacting likeness. It is in the darkest skies that stars are best seen.
Star Trek' ushered in the end of the Westerns. Then the canvas switched to the sci-fi canvas.
I think we're all born with this huge canvas in front of us and the paintbrushes and the paint, and we choose what to put on this canvas.
Sargent, when he painted the size of life, placed his canvas on a level with the model, walked back until canvas and sitter were equal before his eye, and was thus able to estimate the construction and values of his representation.
The challenge of yoga is to go beyond our limits - within reason. We continually expand the frame of the mind by using the canvas of the body. It is as if you were to stretch a canvas more and create a larger surface for a painting. But we must respect the present form of our body. If you pull too much at once, we will rip the canvas. If the practice of today damages the practice of tomorrow, it is not correct practice.
Just dash something down if you see a blank canvas staring at you with a certain imbecility. You do not know how paralyzing it is, that staring of a blank canvas which says to the painter: you don't know anything.
A painter's got a canvas. The writer's got reams of empty paper. A musician has silence.
That's what I mean by something grips in a canvas. The moment that happens you are then sucked into the whole thing. Like some kind of rhythm.
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