A Quote by Riz Ahmed

It's interesting that we assign the label 'political' to art that doesn't just fit a mould of status quo. Is 'Downton Abbey' not political? That's political! Every piece of art offers a perspective on the world. And what is politics if not a perspective on the world? 'Downton Abbey' is about class. It's also about race.
I think the first time I realised Downton Abbey was a hit was when I was sitting in a tea shop in New York and the couple next to me were talking about Downton Abbey, and then they recognised me.
I think the first time I realised 'Downton Abbey' was a hit was when I was sitting in a tea shop in New York and the couple next to me were talking about 'Downton Abbey,' and then they recognised me.
I tried to get people at 'South Park' into 'Downton Abbey,' and it didn't work. I think they were like, 'Downton Abbey?' What?' And I kinda made a big plea in the writer's room, like, 'Guys, you should really watch it. It's good. It's addicting. My wife and I are obsessed with it.'
My problem with political art is not that it's bad art necessarily, but that it is terrible politics. We're talking about a closeted person with minimum contact with reality who has trouble tying his f**king shoes! And he's supposed to be political? A bus driver has a better perspective on things. Artists are completely indulgent.
'Downton Abbey' about upper-class posh people: of course it is.
'Downton Abbey' didn't have the impact it had just because it was a good story about people. It was something about that period and that world that was fascinating to people on a level that wasn't just as an entertainment.
The attempt to divide art and politics is a bourgeois which says good poetry, art, cannot be political, but since everything is … political, even an artist or work that claims not to have any politics is making a political statement by that act.
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
Brits are cool at the moment. We've taken over the world, what with 'Game of Thrones', 'Downton Abbey', One Direction... to be British is to be fashionable.
'Downton Abbey' is just one cliche after another, and it is a really, really poor piece of drama. But that's only me talking. That's just my take on it.
My art gets called political, as opposed to my intending it to be political. I think that's something that happens with black artists or marginalized voices trying to speak truth. Because there are things in the status quo to speak out against, speaking out against them will inherently be political.
'Downton Abbey' is a pageant, a cavalcade of a time when being born right is the first and most irrevocable career move, and in which an older order - whose passing 'Downton's' creator, Julian Fellowes, clearly mourns - is submerging in icy seas as surely as a grand and extravagant ocean liner.
My dad keeps joking about sneaking into my grandparents' house and switching out their HBO for PBS so they think I'm on 'Downton Abbey.
My dad keeps joking about sneaking into my grandparents' house and switching out their HBO for PBS so they think I'm on 'Downton Abbey.'
The way I see it, the third series of 'Downton Abbey' is all about change and how each character adapts to those changes.
I love 'Downton Abbey.'
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