A Quote by Riz Ahmed
'Post 9/11 Blues' is an observational satire about the surreal circus of fear at that time. It's a generational thing.
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Ultimately, if you look at all my films from 'Bloody Sunday' on, they're steeped in a post-9/11 atmosphere. 'United 93' is directly about 9/11, of course, but every one of the movies deals with paranoia, mistrust, and fear.
There is no post-9/11. Everything from now until the end of time is post-9/11.
The first thing I learned was the 'St Louis Blues' when I was eight. Both my grandmothers, my mother and uncle played the piano. This was post-war Britain, and they played boogie woogie and blues, which was the underground music of the time.
We have become this very fear-based culture, especially post-9/11. Fear is the opposite of love, in my opinion. I think there would be more love in the world. I'm not talking about rainbows and unicorns and '70s Coca-Cola commercials. I'm talking about gritty, dangerous, wild-eyed love. Radical acceptance of people. Belonging. A good, goofy kind of love.
'My Name is Khan' saw the post 9/11 scenario from a Muslim perspective. In fact all films dealing with the post 9/11 conflict - whether 'New York,' 'Kurbaan' or 'Khuda Kay Liye' only showed how Muslims were victimized.
Satire is at once the most agreeable and most dangerous of mental qualities. It always pleases when it is refined, but we always fear those who use it too much; yet satire should be allowed when unmixed with spite, and when the person satirized can join in the satire.
As long as Green Lantern is still dealing with fear, it's going to be relevant. 'Rebirth' really grew out of 9/11. 9/11 happened, and then two years later, I was writing about fear. It was obviously connected.
There were not that many people who were willing to come out and stand up for Muslims or stand up against the abuses of the Bush administration. That was post-9/11, so I think there was a lot of fear at the time about exactly what that meant - were they unpatriotic if they stood up?
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
A circus here, a circus there; here today, gone tomorrow. Big Brother watching you. Fear eats the soul.
I was a production assistant in the post department on 'The Surreal Life.' And it's been reported before that I was an assistant editor on 'The Surreal Life.' That is not true.
Far too many people have been swept into the post-9/11 system of fear that is the basis of all public policy these days.
There's a lot of women in blues music, lots of strong women and that sort of stuff. It's not the first thing that comes to mind when you think about blues. There were a lot of powerful blues guitar players in the olden times that were women. It's just that when you think about blues, you have this one image in your mind.
Almost by definition, secularism cannot be a future: it's a present-tense culture that over time disconnects a society from cross-generational purpose. Which is why there are no examples of sustained atheist civilizations. "Atheistic humanism" became inhumanism in the hands of the Fascists and Communists and, in its less malign form in today's European Union, a kind of dehumamism in which a present-tense culture amuses itself to extinction. Post-Christian European culture is already post-cultural and, with its surging Muslim populations, will soon be post-European.
The blues brings you back into the fold. The blues isn't about the blues, it's about we have all had the blues and we are all in this together.
A lot of us in Slipknot, we get to go to wounded soldier hospitals where soldiers have lost their limbs. That's surreal. It's even more surreal to talk to them about your band. They're talking to you about war and losing their limbs, and at same time, they're talking about their favorite album, these kind of things.
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