A Quote by Ro James
For my first album, I thought it was most important for people to hear my voice and to not let it be drowned out by too many lasers and other sounds.
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Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
If your first objective in the negotiation, instead of making your argument, is to hear the other side out, that's the only way you can quiet the voice in the other guy's mind. But most people don't do that.
I actually had a bunch of songs that I worked on with Jamey Jasta from Hatebreed, but they were too heavy for me because my voice sounds good when I sing clean. It sounds good dirty too, but when I hear my voice sing really clean, that's a special sound.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
The voice of the intelligence is drowned out by the roar of fear. It is ignored by the voice of desire. It is contradicted by the voice of shame. It is biased by hate and extinguished by anger. Most of all it is silenced by ignorance.
The most sensitive frequencies are at the resonant frequencies of the auditory canal. In other words, the ear has shaped itself to naturally amplify certain bandwidth. And that corresponds to sounds in that bandwidth that were most important to our evolving ancestors to hear, in order to survive. And it doesn't match the human voice. It matches birdsong.
The voice of the intelligence is soft and weak, said Freud. It is drowned out by the roar of fear. It is ignored by the voice of desire. It is contradicted by the voice of shame. It is hissed away by hate, and extinguished by anger. Most of all it is silenced by ignorance.
I made music on Seven the same way as on the other albums. I only used acoustic instruments... I'm looking for instruments that have vocal sounds, forgotten instruments like the guimbri... The first and second albums were about the voice, what came before. This album is about introducing those sounds into modern, Western life.
It was important that I got my own voice out there in the world. I'd used it on other people's films, collaborated, and I thought, 'You know, I can do this myself.' That was more important than anything else.
Now I will do nothing but listen to accrue what I hear into this song. To let sounds contribute toward it. I hear the sound I love. The sound of the human voice. I hear all sounds running together.
I was told so many times when I was a kid, 'I can't be friends with you, you're too intense, you're too sad all the time.' I really thought that when I made the first album that everyone would understand me, all the people who weren't my friends would become my friends.
You can't live in New York City and be the most important person in town; you just can't. There are too many other important people here.
I think most bands probably peak on their first album. We peaked on our third album. On the first album, I feel like I wish the production was a little better. I'll always hear a song I don't like. I look for what I could have done to make it better. It's always difficult for me to listen.
I never thought I would sing professionally, but it so happened that I made Babul hear a Bengali song I had sung many years ago. He thought I should sing and bring out an album. I readily agreed.
I definitely see the voice as an instrument: It makes great drums, great synth pads, great everything. Vocals can be so many things, like, "Hey, I'm Michael Jackson, and this is my iconic voice," or a choir of people sounding like Mozart's Requiem. Mariah Carey is my favorite singer because her voice sounds utterly groundless. It's not even a human voice; it almost sounds mechanical.
With respect," said Red, and his voice had gone so quiet people hushed each other to hear him, "my tale is yet unfinished; you should hear me out. And it is her answer I have come to hear, not yours.
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