A Quote by Roald Dahl

Fiona has the same glacial beauty of an iceburg, but unlike the iceburg she has absolutely nothing below the surface. — © Roald Dahl
Fiona has the same glacial beauty of an iceburg, but unlike the iceburg she has absolutely nothing below the surface.
My photographs don't go below the surface. They don't go below anything. They're readings of the surface. I have great faith in surfaces. A good one is full of clues. But whenever I become absorbed in the beauty of a face, in the excellence of a single feature, I feel I've lost what's really there been seduced by someone else's standard of beauty or by the sitter's own idea of the best in him. That's not usually the best. So each sitting becomes a contest.
Suppose you stand on a high place to enjoy the beauty of the sparkling sea below. You need do nothing to create that beauty; you need only BE IN THE SAME PLACE WHERE IT IS, and let nature do the rest. So it is with the inner life. There is nothing we can DO to gain psychic beauty. It already exists without our effort. We need only be where we belong, that is, in self-union. Then, beauty IS.
Honey, unlike the song 'Same Parts' by Tatianna, what you see with Alyssa Edwards is always the truth. She is literally a walking catchphrase factory. She is like an oil out of the ground. She is reality tv, and I absolutely love her.
My photographs don't go below the surface. They don't go below anything. They're readings of the surface. I have great faith in surfaces. A good one is full of clues.
All penguins are the same below the surface, which I think is as perfect an analogy as we're likely to get for the futility of racism.
The ocean is interacting with the surface. There is a possible biosphere that extends from way below the surface to just above the crust.
You have to get inside the people you are writing about. You have to go below the surface. And that's to a very large degree what all writers are doing - they're trying to get below the surface. Whether it's in fiction or poetry or writing history and biography. Some people make that possible because they write wonderful letters and diaries. And you have to sort of go where the material is.
I know a girl who just looks at her face in the medicine cabinet mirror and never looks below her shoulders, and she's four or five hundred pounds but she doesn't see all that, she just sees a beautiful face and therefore she thinks she's a beauty. And therefore, I think she's a beauty, too, because I usually accept people on the basis of their self-images, because their self-images have more to do with the way they think than their objective-images do.
Usually when I draw, I try to be in a contemplative mood. I try to keep my mind as empty, vacant and tranquil as possible. The outer mind is like the surface of the sea. On the surface, the sea is full of waves and surges; it is all restlessness. But when we dive deep below, the same sea is all peace, calmness and quiet, and there we find the source of creativity.
Someone who I would consider an ultimate beauty and style icon would be Jennifer Lopez. She is absolutely ageless, and she has reinvented herself so many times throughout the years and yet is absolutely flawless and stays true to herself.
She thought of the orchids spreading across the plains below, choking the life out of other plants, out of the soil itself, selfish and unstoppable. Tally Youngblood was a weed. And, unlike the orchids, she wasn't even a pretty one.
The strength that we want is not a brute, unregulated strength; the beauty that we want is no mere surface beauty; but we want a beauty on the surface of life that is from the central force of principle within, as the beauty on the cheek of health is from the central force at the heart.
He stepped off the pavement like a man jumping off a bridge, as calm as a swimmer with an ocean out below. Lucy had known what he was going to do the instant their eyes met. She'd know what he intended because she would have done the very same thing if she'd had his courage. Nothing was going to break his fall.
The underlying tension of a lot of my art is to try and look through the surface appearance of things. Inevitably, one way of getting beneath the surface is to introduce a hole, a window into what lies below.
Nothing of significance was ever achieved by an individual acting alone. Look below the surface and you will find that all seemingly solo acts are really team efforts.
I have found my star. She is beauty and grace. Elegance and goodness. My laughter in winter. She is courageous and strong. Bold and tempting. Unlike any other in all the universe, and I cannot touch her. I dare not even try." [Zarek]
This site uses cookies to ensure you get the best experience. More info...
Got it!