A Quote by Rob Beckett

Comedy isn't subjective like music. You either get the laughs or you don't. — © Rob Beckett
Comedy isn't subjective like music. You either get the laughs or you don't.
When you watch an audience watching my movies, you realize that nobody laughs at the same time. Some people enjoy a beat, and then another group of people are laughing at a sight gag, and then someone laughs where nobody laughs before. They're not timed like a comedy. You're not supposed to laugh at every joke. You decide.
Obviously, when you do something with drama and comedy in it - and by that, I mean a scene that has drama and comedy in it - you know the minute you introduce music, you're either scoring the drama or you're scoring the comedy, and therefore the scene becomes either dramatic or comedic.
If I get big laughs, I'm a comedian. If I get little laughs, I'm a humorist. If I get no laughs, I'm a singer.
My mom was like, 'You talk so much. You have too much energy. Why don't you just join the play or something?' It was a comedy, and I got laughs in rehearsal, but onstage, in front of a whole audience, I got a lot of laughs.
I think the most important thing about learning comedy is to start from who you are. If you begin the process by imitating what you perceive to be a comedy rhythm, you will get laughs sooner, but you will not be unique.
Comedy is subjective, so if you don't like it, that's fine.
The problem is one of opposition between subjective and objective points of view. There is a tendency to seek an objective account of everything before admitting its reality. But often what appears to a more subjective point of view cannot be accounted for in this way. So either the objective conception of the world is incomplete, or the subjective involves illusions that should be rejected.
Comedy's so subjective, and if someone comes to watch, doesn't get it, doesn't find it funny, then fine.
When you do comedy, the audience is not your boss. They are your collaborators and when you collaborate with someone you don't have to listen to everything they think or say. Sometimes you're not getting the laughs you want or at the place you want but that doesn't mean it's not funny. It means you haven't explored it enough. I'll get laughs in the places I don't want them and that makes me realize the direction I want to go in.
I think pure country music includes rock and roll .. I've never been able to get into the further label of country-rock .. how can you define something like that ? - I just say this: It's music. Either it's good or it's bad; either you like it or you don't
I was about sixteen when I discovered that music could get you laid, so I got into music boy, didn't matter what you looked like either, you could be a geeky looking guy but if you played music, whoa, you'd get the girls.
A friend once asked me what comedy was. That floored me. What is comedy? I don't know. Does anybody? Can you define it? All I know is that I learned how to get laughs, and that's all I know about it. You have to learn what people will laugh at, then proceed accordingly.
I'll get laughs in the places I don't want them and that makes me realize the direction I want to go in. I don't mean to get too deep into comedy here.
I think that's part of being a comedy writer. You have to be confident. If you're sitting around worrying about, like, oh my God, what are people going to think, then you're not writing comedy. You have to write what makes you laugh, and then the world hopefully laughs as well.
My first time on stage was the class "graduation" at the Comedy Store. It was awesome. Everything got huge laughs and I just thought I knew how to do comedy.
Like, I'm trying to make a statement that clean comedy is somehow better or loftier than dirty comedy, and I don't feel that way at all. I just think it's different. It's different. There's rock music, there's jazz music, there's reggae music: All of those forms are different.
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