A Quote by Rob Bell

My experience is that lots of people go to church, sing the songs, tell the story, etc but have profound ambivalence about God. — © Rob Bell
My experience is that lots of people go to church, sing the songs, tell the story, etc but have profound ambivalence about God.
The inflections of community are important because they get at the very meanings of marriage. Marriage is a gift God gives the church. He does not simply give it to the married people of the church, but to the whole church, just as marriage is designed not only for the benefit of the married couple. It is designed to tell a story to the entire church, a story about God’s own love and fidelity to us
If I sing "you broke my heart, you left me flat," everyone knows exactly what that means - they know the story. But if I sing a line that's plaintive or wailing, people can experience their own set of emotions and their own story. Each of us might give that phrase a different meaning. It's open to interpretation, and one song becomes a thousand songs. I love that.
It's crazy, if you think about it. The God of the universe - the creator of nitrogen and pine needles, galaxies and E-minor - loves us with a radical, unconditional, self-sacrificing love. And what is our typical response? We go to church, sing songs, and try not to cuss.
Certainly in my youth there was lots of singing, lots of storytelling, and whenever we went to a party, you had to do a party piece, like sing songs, recite poems, or tell stories. That sort of narrative musical culture was my upbringing.
I'm telling the story, and if I can't tell the story, I'm not going to sing it. And if I don't agree with the story, and if I got to sing something that portrays me as something I'm not, then I'm not going to sing it either. I didn't even want to sing Aretha Franklin's 'Chain of Fools.'
My whole childhood was church. But as an adult, I've grown to understand my relationship with God versus how I sing. People in church are like, 'You sing the devil's music,' but I believe in balance. I can't just party with you. I got to help you, too.
I get on stage and realize what God has given me, and not just I sing some songs and tell a couple stories, or something that God's done. It's more like, 'OK, guys. I want to encourage you to go out to this world and show love and truth.'
I think a lot of things are written from experience, but then you become a writer and talk about other people's experience and you tell stories. I mean, you can't just tell your own story all the time.
I would not understand when people will tell me that 'Tum hi ho' has got more than 1 million views on YouTube. I was like, 'How does it make a difference?' Later, I would go to YouTube and see songs of Rihanna, Enrique etc. and would see their hits. Then I came to know the importance. Nowadays, you can judge from these sites how big is a sing.
I didn't use anybody's story. I used the context and the structure of the situation. People were so, so desperate to tell their story and begin to digest their experience - like turning it into a story - that after the fist few weeks I could go with a pad and pencil and take notes. People didn't seem at all bothered by that.
My little brother and grandma told me I could sing. I used to sing in church, too. Not like in the choir or anything, but for people around the church... on the church bus going home and Christmas plays.
I don't want to tell what the songs are about for me, because then people can't decide for themselves, which is why I write; it's for you to find your own meaning in. For me it's my story, for someone else it's theirs; if I tell exactly what it means, then it's only my story.
Lots of young singers come to me and ask, 'May I sing to you?' I say, 'Yes, you can sing to me as long as you don't mind what I tell you, because I'm not going to flatter you. I'm going to tell you what I think.' Oh, yes, they're quite happy about that, until they hear it.
I write songs all the time. Sometimes they're just weird songs I sing while changing a baby, or songs about annoying things that I sing to myself, or to friends while sitting at a bar, or about Christmas or New York.
You don't go to church and tell the choir how to sing if you're a visitor.
Yeah, sci-fi is definitely a big influence on Fear Factory. I've had people tell me we always sing about the same thing but it's like well, if we were a black metal band we'd sing about Satan, you know? What if we were a Christian metal band? All the songs would be about how much we loved Jesus.
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