A Quote by Rob Bell
I'm interested in painting the most beautifully compelling pictures and images and metaphors and stories and explanations possible that will put Jesus in language for a world that desperately needs to hear it.
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One of the reasons I work serially, but also one of the reasons that I try to claim space in painting, is I'm desperately interested in asking: How can a group of images, or even two images, have meaning together?
This is misguided and toxic and ultimately subverts the contagious spread of Jesus' message of love, peace, forgiveness and joy that our world desperately needs to hear.
My mind works like Google for images. You put in a key word; it brings up pictures. See language for me narrates the pictures in my mind.
For anyone in the news business, just the name 'Cronkite' conjures up images of a bygone era when journalists covered, and could at times impact, the most important stories of the day, rather than the most 'compelling' or salacious.
Metaphors, similes, puns - all manner of metonymy - I'm interested in language that cannot be parsed by a machine - language that can only be understood through acculturation.
A simple man will have only what he needs, and he will know the difference between what he needs and what he wants. We feel that whatever we want, we desperately need. But before we possess the world, to our wide surprise we see that the world has already possessed us.
I’m trying to please myself; certainly that’s a big criterion... though in a sense, I don’t take images just for myself. I take images that I think other people will want to see. I don’t take pictures to put in a box and hide them. I want as many people to see them as possible.
One of the things I love about translation is it obliterates the self. When I'm trying to figure out what Tu Fu has to say, I have to kind of impersonate Tu Fu. I have to take on, if you will, his voice and his skin in English, and I have to try to get as deeply into the poem as possible. I'm not trying to make an equivalent poem in English, which can't be done because our language can't accommodate the kind of metaphors within metaphors the Chinese written language can, and often does, contain.
Put a symbol, or language of some sort, in a painting and it will be noticed by the viewer whether or not they can read that particular language.
Will we allow the decline of our language-the language of Shakespeare, Shaw and Steinbeck? Will we abuse our precious gift of communication? Will we bite our mother tongue with the teeth of indifference, crushing the taste buds of clarity and, without prompt application of the antiseptic of education, causing the gangrene of strained metaphors? Stand up, America, and let me hear your answer: Ain't no way, dude!
I'm never interested in the painting being a mirror to culture. I think that's really boring. What I'm interested in is painting as an affective space. The place where the hierarchies of the world can be rearranged within the space of a painting. And they can be articulated in different ways.
I want to try to have as many people as possible interested in my content, so it needs to go across language barriers.
I don't want to shoot myself in the foot when it comes to getting work. But I'm just not as interested in most of the films that are made in the States. The characters aren't as compelling. The stories aren't as substantial.
The deep places in our lives - places of resistance and embrace - are reached only by stories, by images, metaphors and phrases that line out the world differently, apart from our fear and hurt.
In writing, I want to be remembered for telling good stories in beautiful and powerful language, using the poetry of words to reflect the thematic concerns of compelling stories.
When we talk about the Universe Story we are talking about the acquisition of a totally new paradigm, one which overturns many of the patterns that we unconsciously believe to be true. There is not simply the addition of new metaphors and images, but the metaphors and images themselves flow out of a new consciousness inspired by a new awareness of the cosmos.
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