A Quote by Rob Bell

I'm very comfortable in a room with thousands of people. — © Rob Bell
I'm very comfortable in a room with thousands of people.
Music is amazing, because you get to take it into your office or your living room or wherever you get to know it, and later you bring all those personal connections into a room with thousands and thousands of people.
I have thousands and thousands of people on my payroll. Over the years, I have had tens of thousands of people that work for me. You're picking up one club where it has a high season where it's very, very hard. It's very hard to get people in Palm Beach during the season, during the social season.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
Being able to walk in a room with people you don't know and be comfortable - I'm very used to that.
I think I have made a lot of sacrifices. I've work very, very hard. I've created thousands and thousands of jobs, tens of thousands of jobs, built great structures. I've done - I've had tremendous success.
The room is a special place. It's not "A room" it's THE room. It's a place where there is no restriction. If we title it "a room" it can be any room but it's THE room so it is a special place. We all have this place. It's like our little corner that you are comfortable with.
I'm very comfortable speaking to millions of people, but not comfortable in a small, intimate social setting. Like cocktail hour. I get very panicky.
I can walk into a room with all my contemporaries and I will be very comfortable.
I'm very comfortable with failure. I'm very comfortable being the guy who disappoints people.
Who cares if the locker room would embrace Conor McGregor. If Conor McGregor can be a revenue driver for WWE, if he can sell network subscriptions, or if he can sell thousands and tens of thousands of tickets, if he can move millions of T-shirts, who cares if anybody in the locker room likes it or doesn't like it.
The great thing about doing physical comedy for film is that if it doesn't work you're not exposed. It ends up on the editing room floor, so it gives you a lot more room to experiment I guess. But I really enjoy doing it. I'm very comfortable tapping into my inner idiot.
We now have capabilities in science and technology that raise the very realistic possibility that a small group of terrorists could kill not only thousands of people, as they did on September 11th, but hundreds of thousands of people. And that has changed the dimension of the threat we face.
I never had any urge or desire to do like a big spectacular movie with thousands and thousands of extras. I'd rather watch paint drying. But put me in a room with three people having a hard time, like a character situation, and then you're into a really intense portraiture kind of concept.
I think in any situation, so much of effective leadership is when it comes from your own personality. And I feel very fortunate to be comfortable in the Colts locker room, where people can be who they are, and they don't have to change it when they show up to work that day.
The bigger the crowds get, the more nervous I get. I actually am very comfortable with a half-filled room of people who are slightly disinterested and are irritated at a Barnes & Noble.
I grew up in a highly Hispanic neighborhood. It was very rare to find any race other than Mexicans. I feel very comfortable around Spanish speakers and people from Mexico and people who don't always feel comfortable living in the U.S. because they are in fear of being deported.
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