A Quote by Rob Brown

When Depeche Mode put out a single you knew that a week later you could go and buy the 12" and it would have six versions and they were all better. — © Rob Brown
When Depeche Mode put out a single you knew that a week later you could go and buy the 12" and it would have six versions and they were all better.
As part of Depeche Mode, I don't think it's right for me to be using my own songs for a solo project. I'm not a very prolific songwriter, so I keep those for Depeche Mode.
A band like Depeche Mode would go out and record them hitting a trash can with a steel rod or something and recording it. And that would be one of their sounds of the drums. I love the creativeness of that kind of really raw sampling.
I remember having a 7-inch Depeche Mode single when I was ten and really loving that.
When I was in high school in the early 1970s, we knew we were running out of oil; we knew that easy sources were being capped; we knew that diversifying would be much better; we knew that there were terrible dictators and horrible governments that we were enriching who hated us. We knew all that and we did really nothing.
Dragged out of your bed at the age of seven, my mother screaming, six kids under the age of 12. I'm not equating my experience with the people who lived in Northern Ireland. But my dad was always out and about late at night, and I could not go to sleep until I knew he was in.
I wouldn't want to go out six nights a week and watch somebody's reserves playing to check out a footballer to see if we're going to buy him.
I don't know if I was a poseur - I really did love metal, always - but I gave a lot of other things a chance. I wanted to meet, um, girls, so I would check out 'Depeche Mode.'
Yazoo was Vince's sound ultimately. At the time Vince and I got together he had only recorded one album with Depeche and Depeche were to go on to greater things.
Now Nostradamus said that the king of Terror would appear September 1999. I believe Nostradamus knew his Bible and knew what the six day theory was, and so he could put it all together.
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
I always knew that sooner or later there would come somebody like Woody Guthrie who could make a great song every week. Dylan certainly had a social agenda, but he was such a good poet that most of his attempts were head and shoulders above things that I and others were trying to do. ... If I had an address, I'd send him a birthday card saying, 'keep on going.'
I have this game with my friends: When we go out, if 'Treat yo' self' is tagged within the last six minutes on Twitter, they buy lunch. If not, I buy. They always buy.
HAPA was like mint. You could rip it up, and six months later, it was back, healthier than ever. Mint smelled better, though, and you could make juleps out of it. I don’t know what I could make out of HAPA. Compost, maybe.
I read some books, and I thought, 'This is better than sliced bread!' and a month later, I couldn't remember thinking about it. And I've read others that were kind of a slog, and I've put them down and come back six months later thinking, 'Wow, this is great.' So, you know, things change all the time.
The way that 'Vampire' was born was over a lunch. We got asked to do the show. A week later, we were hired. A week later, we were writing it. The minute we handed it in, it was ordered. The minute we shot it, it was picked up. Then we started working. There was never any, like, 'OK, here's what this show is...' We had to figure it out as we went.
Men are like shoes. Some fit better than others. And sometimes you go out shopping and there's nothing you like. And then, as luck would have it, the next week you find two that are perfect, but you don't have the money to buy both."-
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