A Quote by Rob Cohen

I don't read the reviews because they're too horrible and the reviewers have not been big supporters of mine over the years, probably because I make these big populist movies and they hate it.
I've had movies bomb with terrible reviews, I've had movies make a lot of money with terrible reviews, I've had movies get good reviews and make money. And I like it best when the movies do well and the reviewers like them.
I've read a lot of books on the laws of attraction, and in my home I have a big book on Muhammad Ali, which I've read, because he is like a hero of mine, but other than that, no, I'm not a big reader.
I've read a lot of books on the laws of attraction, and in my home, I have a big book on Muhammad Ali, which I've read because he is, like, a hero of mine, but other than that, no, I'm not a big reader.
If our caricaturists do not hate their enemies, it is not because they are too big to hate them, but because their enemies are not big enough to hate.
I don't really make movies because I want to see my face on a billboard or because I want to get good reviews or have a big box office. That doesn't really matter to me at all.
I have learned not to read reviews. Period. And I hate reviewers. All of them, or at least all but two or three. Life is much simpler ignoring reviews and the nasty people who write them. Critics should find meaningful work.
I don't read reviews. Just because that is something that's directly connected to my job. I'm doing this because I love it, not because I'm necessarily looking for approval or anything like that. To me, it seems that reading reviews - whether they're good ones or bad ones - can only sort of force the person to divorce themselves from the reality of what it is they do for a living. So I don't read reviews.
I don't read reviews because if they're bad I'm devastated and if they're good I get a big head.
It's always good to get good reviews. I read my reviews. There are a lot of writers who don't read their reviews at all. I read them; then I put them away because it's not good to engage with them too much.
We end the show with something that's never been on TV because it was too big for a sketch but we couldn't stretch it out to make a whole episode because it would have been too long, but we always thought it was really good.
Maybe the establishment has to get out too. I don't know. When you look at what's going on, Republicans have lost two big elections in a row. Big ones. And the last one with Mitt Romney should have been won easily. You know, you're going against a failed president.Barack Obama has done a horrible job; he's been a horrible president. And he was just as bad four years ago, and Mitt Romney should have won that election; and he didn't.
You see, I was never a big fan of contemporary movies because they always make actresses and actors look too perfect.
When critics or people judge, I think it's harder to make a commercial, pop movie than it is to make a pretentious art film. It's harder to reach millions of people and satisfy them and make them happy. These films kind of get ghettoized, this genre because there are so many big, big movies that are such big hits, but aren't any good. The audiences, they're not judging the style of the director, or the execution of the film. They're just looking to be entertained. They want to escape from their reality, and that's why we make movies, to get people to escape from the realities.
One thing that I've learned over the years with eggs is that you don't want to cook them too long. You want to make sure they're still soft, because in a big quantity, they're easier to eat if they're a little bit softer.
You read reviews by top reviewers of films that not only had remarkably interesting scores, but films whose effectiveness was absolutely enhanced, and frequently created by the music, yet the reviewers seem unaware that their emotions and their nervous reactions to the films have been affected by the scoring. This is a serious flaw. Any film reviewer owes it to himself, and the public, to take every element of the film into account.
The truth for me is that I've been doing independent film since the get-go, so that's a big passion of mine, but the big ones are really fun, too. I like my world to be eclectic.
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