A Quote by Rob Corddry

Anything would deserve a sequel if the right elements are there. — © Rob Corddry
Anything would deserve a sequel if the right elements are there.
They always say 'Is there going to be a sequel to Bad Santa?' and you know, I mean, a long time ago they would talk about, you know, we're going to do a sequel to that but it was never serious. And they said 'Would you do it?' and I said out of all the movies I've done, that was a lot of fun, and maybe I would do a sequel if it ever came up and it made sense, but I said I don't think that's ever going to happen.
The number of elements that have to go into a hit would break a computer down. the right season for that play, the right historical moment, the right tonality.
It does if you put yourself out there being a pirate. It's like if you have an army and your army sit around and not doing anything and living the lives of decadence and they're faced with a battle, and you slide. Do they deserve the right to call themselves an army? Do these pirates who are basically languishing deserve the right to call themselves pirates? They're victims of their own success.
When I first did 'The Fast and the Furious', I didn't want there to be a sequel on the first one. I thought, 'Why would you rush to do a sequel - just because your first film is successful?'
People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
If I were to do a sequel, it would be with Sophie as a very old woman and The BFG the same, a bit like that 'Let the Right One' in film.
We're better in the rearview mirror than we are at predicting - 'cause you're never going to be right every time. You can handicap it. You can point to certain elements that make it work, and many of those elements come straight out of epidemiology, right?
I didn't deserve to get my title stripped after three ACL reconstructions. I didn't deserve to be out for four years. But it happened to me, and so I definitely learned over the years that you don't deserve anything. Nothing you have is yours. Everything is up for grabs in this world.
God bless that potential that we all have for making anything possible if we think we deserve it. I deserve this.
A sequel is going to be a pressure no matter who directs it. A sequel is only made when the original film works.
For us the acceptance of audience is important, we won't keep making sequel after sequel just for the heck of it.
I try to create a style that reflects my music. So I would say it's definitely got some '90s elements, some pop elements that are a bit more feminine, and then more indie, androdgynous elements.
I am writing a sequel to The Touch because I want to further explore the Chinese question that I have raised. There will be more about that in a sequel.
Black Lightning, Jefferson Pierce, Thunder, and Lightning deserve their own show because they are not 'the other.' They are legitimate superheroes in their own right, and so they deserve the full breadth of exploration. That's what makes them worthy, and that's why they deserve it. They are not 'the other.' They are 'the the.'
Many years ago, I was actually hired to write the sequel to 'Independence Day.' And I wrote a sequel. And they paid me a boatload of money to go write this thing. And after I wrote it, I read it and I gave them back the money and I said, 'Look, this is an okay movie I just wrote. But it's not worthy of the sequel to 'Independence Day.'
Even if it's a sequel, lots of people have to give their all to make a game, but some people think the sequel process happens naturally.
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