A Quote by Rob Halford

The last thing we wanted was a copycat. When we saw [Richie Faulkner] play, we thought, "We don't have to tell this guy anything. He's got it." — © Rob Halford
The last thing we wanted was a copycat. When we saw [Richie Faulkner] play, we thought, "We don't have to tell this guy anything. He's got it."
The only advice we gave Richie Faulkner was we wanted Richie to be his own guy. You have to let your musicians in your band be who they are.
Bill Hader, nobody can play Richie like this guy, I think. It was great because, for some reason, 'Chapter Two' was a movie that everyone wanted to be in.
I wanted to play piano in restaurants in the south of France. I went there on holiday once and I saw this guy playing in an old tuxedo. He was all disheveled, with a whisky glass on the piano. I thought that was the coolest thing. So what's happened to me with 'Twilight' isn't really what I'd planned.
STRAUSS:Have you ever thought about putting those experiences into a book? RICHIE:I did decide to write about what i experienced in climbing to the top. And finally when I got there, I discovered what was at the top.You know what was there? STRAUSS: No, I don't. RICHIE: Nothing. Not one thing. What was at the top was all the experiences that you had to get there.
I didn't know I wanted to go into entertainment, but I knew I wanted to be on stage when I was about seven. I saw a play, like most kids do, at a children's theater in Cleveland, and I just saw them up there, and I thought, 'that's where I want to be.'
He had written my mother once that he wanted her to be the first thing he saw every morning and the last thing he ever saw. And that's how it turned out.
At the core of these movies, Saw One and Saw Two, it's a very real situation. A guy cheats on his wife and didn't value what he had. It's the same thing in my story. Being a dad and playing someone whose last words to his son were 'go to hell'. I say to my son, the last thing I say is 'I love you'.
Richie Faulkner is very respectful to the songs that he plays from when [founding member] K.K. [Downing] was in the band. He plays them incredibly. And he's got his own nuances and his own techniques that he puts in - as he should.
You've got to play with that killer instinct, man. You've got to hate that guy across from you. Then after the game is over, tell him what a nice guy he is. Shake his hand. Especially if you win.
The last thing I wanted to do was 'Battlestar Galactica.' I thought, 'I've done sci-fi. I did 'Blade Runner.' I don't have to do anything more.'
I saw you, and I wanted to be close to you. I wanted you to let me in. I wanted to know you in a way no one else did. I wanted you, all of you. That wanting nearly drove me mad.” Patch paused, inhaling softly, as though breathing me in. “And now that I have you, the only thing that terrifies me is having to go back to that place. Having to want you all over again, with no hope of my desire ever being fulfilled. You’re mine, Angel. Every last piece of you. I won’t let anything change that.
Faulkner was almost oriental. I never got into Faulkner.
I'll tell you what. I've been in combat. I've seen it, I've been close to it... and if my unit is danger, and I've got a captured guy, and the guy knows where the enemy is, and I'm looking him in the eye, the guy better tell me. That's all I'm gonna tell you. The guy better tell me. If it's life or death, he's going first.
I wanted to do what I was seeing Dorothy Dandridge doing, what I saw Marilyn Monroe do, what I saw Bette Davis do. I wanted to do that: to tell stories. I wanted to make people laugh, make people cry. I wanted to be a storyteller.
When I got a little bit older I wanted to play piano - that's all I wanted to do. I remember learning how to play a blues progression on the xylophone in music class and thinking "This is the greatest thing I've ever learned."
As long as you're being a copycat, you will never be the best copycat.
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