A Quote by Rob Halford
You've got to be able to compromise in a band; otherwise, somebody's more important than the next guy, and that's never been the case in Priest.
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It was about working with other musicians, but more than that it's about exploring musical areas that you could never do with the band you're in, in my case Judas Priest. You could tackle musical areas and lyrical areas that wouldn't be appropriate for Priest.
I have told somebody in court that 'I understand yours is the most important case in the world, and I'm trying to treat it as the most important case in the world, but five minutes from now I'm going to be dealing with the next person's most important case in the world.' For every litigant, theirs is the most important case.
I think that it is important for people to understand that whether a good-guy or a bad-guy wins a case is less important than what the law is that the case results in.
It's also giving back to the community that put us all there in the first place. Priest wouldn't be here without the support of the fans. As soon as I joined the band [ Judas Priest], I got it straight away. Especially in my situation, since I've only been here five minutes. I was a fan.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
Be what you would seem to be - or, if you'd like it put more simply - never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.
I've never been really interested in music, classical or otherwise, where the craft is more important than the result. I realized quickly that I'd never be a technical electronic musician.
I've always said - I've been making games for twenty years, and from the first day I got in this business, I've been saying, 'All I have to do is sell one more copy than I have to, to get somebody to fund my next one.'
I was taught never to compromise: to never sing a cheap song. I never look down at the audience and think that they are ignorant or think that I'm more intelligent than they are. To think otherwise is totally incorrect and runs contrary to everything I was raised to believe.
I have to say that I have no regrets about my decision to become a priest or about the major directions my ministry has taken me... I have been and am happy as a priest, and I have never been lonely... I could have used a bit more solitude.
Never compromise and sell yourself short. I've been in the music business, a girl group . . . I've been through so many different things in my career, and when you compromise and try to let go of who you are, you wind up being unhappy, and what is success without happiness. You have to have both, and that is important to me.
I have no sense of direction; I never know where I am. When I back up a car, I'm more likely to hit what's behind me than not, because I have no vision for it. I've never been able to play games or play cards because I can't in my head get the next move. I've never been able to balance a checkbook. So there's some brain damage, but it may be that very brain damage that allows me to do the work I do. I've never met a cartoonist who isn't quirky or weird in some ways.
I never took reds or Quaaludes to balance out the coke. So when it got to be four in the morning and the gram was three quarters gone, I'd start wishing it was nine o'clock and hoping the guy got up early. But, of course, he didn't sleep either, so there was no sweat. During all those years, I was always looking forward to the next snort or the next guy I could score from.
You look at somebody like Frankie Edgar and you think, 'oh, that little guy,' this and that. But these guys, they want it. And even if you're sitting there and you think you've figured something out, or got something you're going to surprise somebody with, the first thing you've got to do is have more heart than these guys.
If somebody has never been married, they don't know compromise.
A lot of people try to evolve in unreasonable ways and I don't agree with them. But you must evolve and be better than the same guy next to you, at the same time being able to work with the guy next to you.
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