A Quote by Rob Halford

When you have the thrill and the pleasure to do something that means so much, you'll do whatever you've gotta do to get to that next gig and play that next song. — © Rob Halford
When you have the thrill and the pleasure to do something that means so much, you'll do whatever you've gotta do to get to that next gig and play that next song.
You gotta grow, you gotta learn by your mistakes; You gotta die a little everyday just to try to stay awake; When you believe there's no mountain you can climb; And if you get it wrong you'll get it right next time, next time.
I teach songwriting a lot, and I always tell my students, 'You gotta write the little songs sometimes to get to the next big song in the chute.' You gotta write 'em to get to it. You never know what's going to be a little song or a big song.
You never know: the next DJ Snake, the next Skrillex, the next big DJs might wait outside of the club. You gotta give back and listen to the next generation and show some love.
Well, I got pretty good and went on the road with a group. We starved. At that time I didn't realize that you'd work one gig in Kansas City, the next in Florida and the next gig will be in Louisville. You know, a thousand miles a night. That was really rough, man.
Tennis is a great game, a great sport because you're out there by yourself, so you have to move on to the next point, next game, next set, whatever. It's the same thing in basketball. If you miss a shot, you move onto the next one. If you turn it over, you move onto the next play. That certainly helped me.
We like to party but to be the best partiers in the world you've gotta be serious, you've gotta plan that stuff out. You've gotta wake up the next day and catch that plane to the next show and perform a great show.
So whatever I might have started to learn at that age was all undone by the next director and next crew in the next cheap picture, because I was allowed to get away with murder.
Losing doesn't eat at me the way it used to. I just get ready for the next play, the next game, the next season.
I grew up in the time just when cassettes were waning and CDs were growing. And so mix tapes - and not mix CDs - mix tapes were an important part of the friendship and mating rituals of New York adolescents. If you were a girl and I wanted you - to show you I like you, I would make you a 90-minute cassette wherein I would show off my tastes. I would play you a musical theater song next to a hip-hop song next to an oldie next to some pop song you maybe never heard, also subliminally telling you how much I like you with all these songs.
There are a lot of actors who wish there was a next play, a next musical. As an actor, I guess that's all I can wish for - the next role, the next opportunity.
I'm constantly working on something new, whether it's a Garbage song, or for someone I'm producing or a song for film or TV whatever it is. I guess I'm sort of living in the moment and moving towards what I'm doing next. I think most artists are like that.
All you gotta do is think of the song in your head. And it doesn't matter whether you can play it or not, you can get somebody to play it. With songs I've written, there's a song called "The Statue", which I can't play. There are songs that I've written that I've actually just hummed on - there's a song on one of the albums they have there on the Internet called "My Love Was True" and it's almost operatic. I can't play it. But I can sing it.
I stepped back from being out front to playing bass. So we started switching: I'd play bass on one song, we'd switch on the next song; I'd play piano... we'd play mandolin.
Usually, I'm a very positive guy. I try to think about the next chance, the next game, the next opportunity to play well.
We've gotta be trying to think of what's coming next before it comes next.
A lot of fans were drawn to me because they knew that whatever the score was, I was going to run as hard as I could on every play. You don't have that now, you have guys waiting for next week or even next year.
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