A Quote by Rob Halford
Sometimes when I'm writing lyrics, it's a very loose train of thought, and wherever that takes me, I let it flow.
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Sometimes people will request a song I haven't played in a while and I'll play it and singing the lyrics will mean something different to me as a 35 year-old person than they did when I was 25. I know I'm still that person who wrote it and thought I knew what I meant when I was writing them. They meant something very exact to me in that time of my life. But it's really cool when those same lyrics can transform into something else and mean something entirely different to me.
I'm a great believer in letting lyrics just flow out, wherever they come from.
Etta James takes credit for writing some of the lyrics on 'I'd Rather Go Blind,' which I think are some of the most phenomenal lyrics I've ever heard. There's arguments now about who wrote it, but she always takes credit for it in her live performances.
With lyrics for me, it's usually musically-based. It's not really poetry- or writer-based. It's rock-based. It doesn't mean that I'm aping rock lyrics, but I'm writing from a music standpoint. I'm thinking more of music heroes, if they're in my mind. Not William Blake or John Ashbury. Sometimes maybe I thought of him a little bit. Or Wallace Stevens. I don't even really fully understand either of them.
I always have strong feelings when I'm writing a book. Sometimes when I'm writing a book, I even cry when I'm writing. Once I read a quotation that I thought was very true for me, which is: "No tears in the writer, no tears in the reader."
Maybe it's my age that makes me very conscious of loose threads, but I don't think that's an earmark of a fine product. And whenever I have a deep-seated feeling like that, I convey it to the person who made it. Sometimes they curse me, and sometimes they thank me.
My lyrics are quite train of thought, and they are all over the place, but they evoke something.
I have a very large shoebox overflowing with lyrics I've been writing and collecting since my teen years and into my late 20s, with lyrics from all walks of my life. Darkness, being in love, being heartbroken, finding yourself... and lyrics that I've been sitting on for, like, seven years, that I haven't done anything with.
Sometimes melody and sometimes lyrics. It depends on the tempo and feel of the song. Slower pieces usually begin with melody and faster ones with lyrics. I write for the song and it leads me to my conclusion.
It's funny, I write lyrics in a bizarre way - I'm always writing lyrics, mostly when we're traveling or walking around New York, that's when I'm writing most of the stuff.
We start a lot with melodies and instrumentation and trying to figure out good melodies for verses and choruses. We get to lyrics sometimes second, so we'll start humming a melody, finding something, and see where the music takes you as far as lyrics are and what you want to say and go from there.
When I create lyrics, I just go off of energy. Sometimes I write down my lyrics on my phone and most times I remember the lyrics in my head.
Wherever a ship ploughs the sea, or a plough furrows the field; wherever a mine yields its treasure; wherever a ship or a railroad train carries freight to market; wherever the smoke of the furnace rises, or the clang of the loom resounds; even in the lonely garret where the seamstress plies her busy needle--there is industry.
Most of the time, when I'm writing, I'm writing for myself. I'm thinking, 'What will my character say at this time? What will come out of her mouth?' I create individuals so real to me, I sometimes start talking to them. Then I let them loose on the page.
I train very hard, until I am sick. Sometimes I train like a foolish man who has no mind.
Sometimes, if I had until the next day to turn the story in, I'd head home, finding that the knot in the narrative came loose with the rhythmic clacking of the subway train.
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