A Quote by Rob Liefeld

I've always had a fortunate knack for grabbing young talent and giving them a break. — © Rob Liefeld
I've always had a fortunate knack for grabbing young talent and giving them a break.
I'm excited to be launching D'Leon Records to support other young talent in their development. I have been very fortunate to have been able to break through and succeed in this tough industry, and this is one of my ways of giving back.
I've always had a passion for giving back. It's a family tradition that comes from my devout parents. They were always giving back and serving the community. So when I became fortunate enough and blessed to play the game of basketball, I was also fortunate enough to follow in my parents' footsteps and give back like the way they did.
I've always had that knack for staying pretty even keel and the more the situation gets tense the more I see things clearly and I think that's just a knack that I've always had.
From about the age of 15 or 16 I'd had the notion that I wanted to write fiction, and I'd done enough in college to satisfy myself that I had a knack for it - I wouldn't call it "talent" - though I wondered if I'd ever have the guts to actually commit to it.
I've sung my whole life. I did a lot of musical theater growing up, I sing in the shower, sing in the car, sing everywhere really, on set at Chuck, all the time. I like it, and I've always felt like I've had a knack for it, or a talent for it, on some level, I don't know.
I was the first one to say, 'I'll cover that, I'll stay late. I'll go to that shoot.' Anything I could do to add to my job description... I also found out - you can't learn this in college - but I had a knack for dealing with talent in stressful situations and knowing how to make them feel comfortable and also being fairly truthful.
Everyone has some kind of talent, something they are good at, or something that energizes them and excites them. When you see a little spark of talent and love for something, no matter how young a person is, encourage it. Letting someone know that their talent is special and they are special, can change and determine the trajectory of a life.
With 'Scratch,' our goal is to allow people to mix together all kinds of media, not just sounds, in creative ways. We want people to start from existing materials - grabbing an image, grabbing some sound, maybe even bits of someone else's program, and then extending them and mixing them to make them their own.
I always try to be a trend setter. That's what I always tell young people when I'm giving them advice. To go with their heart and don't follow the trends.
There are thousands of Eminems. Just listen to a song. There are thousands of them. It's just that he had the talent. It's like someone with a talent to hit a baseball. He had the talent to write lyrics.
UNICEF is successfully giving children and young people all over the world opportunities and hope. Just like the ones we met on the Long Way Down - protecting them from exploitation and giving them chances in life.
The young women who attract so much attention never change: They are all stupid. They have at best only the crudest notions of their own power, and never calculate motives or consequences. Giving a young woman a young woman's body makes as much sense as giving ten teenagers Lamborghinis and telling them to drive in figure 8s around a parking lot.
My middle name really is perseverance. I've always believed that I had talent, even when I felt like a very inferior sort of person, which I spent a lot of time living my life feeling that I wasn't worthy. But even then I knew that I had something special, and maybe that's what it takes. Maybe people need to have that kind of particular core driving them. But I felt I had talent.
When you make a young player feel young, it doesn't necessarily help them - they often want to be treated like everyone else. If you respect their talent, then that can give them the confidence to express themselves.
I mean, I wasn't fortunate enough to have ever experienced starting out with a band and sticking with them, so that would be interesting to me. People whose bands start out like that, when they break up it's always terrible.
I had one of those tape players with a strap on it and the orange button - the old-school recorder - and I'd record songs by Roxanne Shante, Run-D.M.C. and Biz, Markie. I'd try and learn the words. I've been rhyming since I was a young fella. I used to win talent shows by break dancing and rapping.
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