A Quote by Rob Liefeld

The visual of Deadpool was very informed by Spider-Man. — © Rob Liefeld
The visual of Deadpool was very informed by Spider-Man.
Every generation has their favorite Spider-Man television show. For a lot of us, it's the one that has the song, 'Spider-Man, Spider-Man, does whatever a spider can.'
Have you ever seen the video of the kid with the Spider-Man pinata? He just sets the stick down, walks over, and gives the Spider-Man pinata a hug. He doesn't want to hurt his Spider-Man. He loves him! And I think that's a universal feeling towards Spider-Man. You just can't help but love him.
I knew very little about 'Spider-Man'. I grew up more in the 'Superman' generation. 'Spider-Man' - I didn't know so much. But it is a really successful franchise, and I'm happy to be involved with it.
I think the Hulk has always appealed very strongly to much younger readers than Spider-Man, because Spider-Man is an adolescent character, and the Hulk is a very childlike character.
There's just nothing funnier or crazier than that - doing your Broadway debut as Spider-Man in 'Spider-Man' the musical. It was, like, the last thing I could have ever possibly imagined happening. I mean, I would tell people I was playing Spider-Man, and people would just break out laughing because it was so ridiculous!
I had a very real fear of spiders until one bit me. I got bitten by a redback spider in Australia and I've never been frightened of them since. Maybe I've turned into Spider-man.
I wanna begin saying a story about my son. I have a four-year old son who loves superheroes from Spider-Man to Iron Man to Batman. He's got all the costumes. One day he looks at me and says 'Dad, I want to be light-skinned so I could be Spider-Man. Spider-Man has light skin.' That was sort of a shock. This is why I am excited to be a part of the Marvel Universe, so I could be hopefully provide that diversity in the role of the superhero.
'Deadpool' is massively successful because they made a very unique movie. That uniqueness and originality, try to imitate that. Not, 'How about let's try to do 'Deadpool' on a train.'
I grew up in Canada and was a huge Spider-Man fan, and never thought of Spider-Man as an American hero.
I love the Spider-Man story. I watched the cartoon on TV when I was a kid, and my brother wore his Spider-Man pyjamas everywhere.
The kids all literally think I'm Spider-Man, and they ask me how I shoot my webs. It's flattering and crazy, but it's Spider-Man they're in awe of, not Jake Epstein.
There's this great panel - I forget what the actual comic is - of Spider-Man in the rain holding an umbrella and eating some Chinese takeout. It's like, that's the essence of 'Spider-Man.'
Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.
I reckon I had 30 Spider-Man costumes over the years since I was a little baby. I had Spider-Man bed sheets.
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
When I found out about being cast in 'Spider-Man,' it was like this bubble developed around me. I was floating in it for a while. And then, suddenly, it evaporated, and I was like, 'Well, I'm just an actor. I don't get to actually be Spider-Man.'
This site uses cookies to ensure you get the best experience. More info...
Got it!