A Quote by Rob Liefeld
Deadpool exploded for the youth around 2010 with 'Marvel vs. Capcom.' He was the most popular character. He does kicks, then mocks you as he hits you and dances around you when you hit the ground.
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The most important thing you can do as an actor is bring as much of yourself to the character to ground the character in some sort of reality, and then you build around it and on top of it.
My job to make sure that thing is kick-ass - takes the mold, jumps on it, throws glitter all over it, smashes it, kicks it around, and drops the mic. If we don't do that, then we deserve not to have a hit.
I wasn't a huge fan of the comic book, but I definitely was of the cartoon series. I wasn't much for sitting around and reading as a kid, I preferred to be outside running around and playing sports, but I was absolutely thrilled to get the role of Colossus. I don't think I realised how popular the character was until I got the role and started doing some research; it was then that I really fell in love with the character of Colossus myself.
Most of the time, when I had hits as a soloist - maybe not so much with Simon & Garfunkel - I was surprised they were hits. I didn't know what the hits were. I never thought that 'Loves Me Like A Rock' was going to be a hit, or 'Mother And Child Reunion,' or '50 Ways To Leave Your Lover.' They didn't sound like what the hits sounded like at the time. Radio was more open to things that weren't exactly what every other hit was.
You have the massive world that was created by Marvel, and then you have these very intimate actors around you. There was as much character work on this as there would be on a little independent film. So, I felt very fortunate in that sense.
Marvel has always been to a large extent the world around us. It has to be evocative of the world around us, the feelings people are feeling. You take real-world concerns and you put a Marvel face on it.
Here's the deal: 25 years' worth of Deadpool. This movie comes out 25 years to the day we published him at Marvel, and you couldn't get a better gift if you're a 'Deadpool' fan.
You can read a character that feels amazing, but if the world around it and all the writing around it - even the way the stage descriptions are written - don't feel just right, then you know there's no point in doing the project. No character is ever bigger than the whole film.
This is really hard to do but I'd like to change the tone now and briefly mention today's terrible tragedy in France. Twelve people were killed because a satirical newspaper made jokes that some group found offensive. All of us are accustomed to bad news from around the world. But this story hits home for anybody who mocks anyone.
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning.
Around, around, Companions all, take your ground, And name the bell with joy profound! CONCORDIA is the word we've found Most meet to express the harmonious sound, That calls to those in friendship bound.
I would never disrespect any man, woman, chick or child out there. We're all the same. What goes around comes around, and karma kicks us all in the butt in the end of the day.
What is a hit? Who can tell? Who decides what a hit sounds like? I needed to remind myself that a hit is whatever people decide is a hit. I don't make hits; I make music. People make hits.
The batsman does not always need to create big hits. He can hit a boundary, then pick up some singles and still gets nine runs. To avoid that, I need to plan in a way where he must look to hit wherever there is a fielder. That is what is called 'bowling to the field.'
I'm not going to get a hit every time in clutch situations, but over the course of the season I'll get a lot of clutch hits. I'm disappointed it's come to a time when they (Orioles fans) boo me. And then to turn around and have the nerve to cheer for you, that's the way baseball goes.
The music that was popular in your youth seems to be the music you recall most vividly - and most nostalgically - for the rest of your life. But so is the music that was popular in your parents' youth.
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