A Quote by Rob Lowe

They (teenage boys)don’t really listen to speeches or talks. They absorb incrementally, through hours and hours of observation. — © Rob Lowe
They (teenage boys)don’t really listen to speeches or talks. They absorb incrementally, through hours and hours of observation.
At the time of Apollo 11, I was a grade-schooler, and I remember every time an Apollo mission would take place that, like a lot of little boys, I'd gather in front of the TV for hours and hours and hours with my little brother.
I'll take two months off just to listen to records and not do any music so I can absorb all that and then when I go do my music. It's all in me. I'll listen to a different genre every two days or something, study it, 24 hours straight.
Wagner always opens you a second breath, and then you go on, and you are absolutely into his musical world, and you can't stop, and you can listen for four hours, five hours, six hours, and then you are like in his mystical hands of his music. He's such a great poet of music.
If you do live shows long enough as a comedian, you can still hear that rhythm of laughing. It's ingrained in you, and it's not something you can really teach somebody. It comes from doing hours and hours and hours and years and decades on stage, performing in front of live crowds.
They (fables) teach us that human beings learn and absorb ideas and concepts through narrative, through stories, not through lessons or theoretical speeches.
I also listened to hours and hours and hours and hours and hours of [J.F.] Kennedy, and I sort of built [ accent]. And then I got on set [of 'J.F.Kennedy' movie ] and forgot it.But that's what you want to do. You want it to just be real. And I think authenticity was better than - people always talk about when an accent doesn't work, and the phrase you always hear is, "It was inconsistent."
I don't have a problem doing interviews. It's not punishment. There's things about it that I don't like. No one else is really saying these kinds of things, so someone has to. I don't think that it's the most humbled thing to talk about yourself for hours and hours and hours.
We have amazing stunt performers and in Miguel Sapochnik, a director who's so good at spending hours and hours and hours on every shot beforehand, so that he knows exactly what he wants when he gets to the battlefield on the day. We only shoot ten-hour days, so you have to pack a lot into those ten hours.
Talent you have naturally. Skill is only developed by hours and hours and hours of beating on your craft.
I would still like to have that luxury, to be able to just sit and draw for hours and hours and hours. In a way, that's what I do as a writer.
He spent hours and hours and hours practising these conjuring tricks. It's just such a curious thing.
I just really enjoyed all that kind of responsibility, I loved the fact that many people cared. I was doing 4 hours of boxing, 2 hours of weights, an hours of accent and dialect training, I just enjoyed having to do all that for this character [ Vinnie Paz in Bleed for This].
To be the best, you need to spend hours and hours and hours running, hitting the speed bag, lifting weights and focusing on training.
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
I'm a method writer. In order to write about the emotion, I have to experience it. I get physically tired and exhausted, devoting hours and hours and hours to it.
To be the best, you need to spend hours and hours and hours running, hitting the speed bag, lifting weights and just focusing on training.
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