A Quote by Rob Lowe

I don't look back with any bitterness, though there are a couple of judgment calls and some '80s hairdos that I'd like to do over. — © Rob Lowe
I don't look back with any bitterness, though there are a couple of judgment calls and some '80s hairdos that I'd like to do over.
Oftentimes when people make movies about the '80s, they go back and look at '80s films, [but] those look nothing like the '80s. It's some watered-down version of reality.
If for no other reason than it's just fun to watch people age, and it's fun to watch what happened to '80s hairdos and outfits, and what they look like now.
Acrid bitterness inevitably seeps into the lives of people who harbor grudges and suppress anger, and bitterness is always a poison. It keeps your pain alive instead of letting you deal with it and get beyond it. Bitterness sentences you to relive the hurt over and over.
That's what I think a journalist from the '70s and '80s should look like - as though he has led a full journalistic life.
Any filmmaker, big directors, and I'm not dropping any names - I actually have couple names I want to say, but I will not - we have a ratio. Each thing you repeat, my ratio is one to four.Actually some people are ratio one to 34. I know couple directors, big directors, they are just shooting over and over.
I'll spend a couple of days in Paris, a couple back in London, some time at the factory in Italy... I like travelling, but it can be a struggle to get home for weekends.
I love like the 80s look - 80s and early 90s, like the high-waisted jeans and the crop tops, and the floral prints, and flowers and stuff like that. Big baggy jumpers... yeah, stuff like that.
[Code Black] doesn't look like any other CBS show... and I don't mean that as any sort of judgment. It's just unbelievably unique, it's gorgeous, and it looks like a film.
Electro '80s is very popular in Australia. Like, you get a headache if you walk into a mall with the number of girls and boys that are wearing big hair, leggings, headbands. You feel like you're back in the '80s.
Nothing is going to stay the same; nothing's gonna sound like in 1952. There's some stuff that has some elements of back in the day, like back in the 90's, back in the 80's or whatever. Some elements, but it's not going to be the same, exactly, sounding. And I love it, I've seen the music change. I've seen the flow and the energy go from turned up to turned down to back to turned up. I like to try different stuff. I don't like to do the same old thing over and over again. I don't like to be repetitive, that gets on my nerves.
Maybe I over-do the 'not-80s' thing. It should be a part of my life that I've got some sort of pride in, but I've got this huge chip on my shoulder about '80s nostalgia - and it annoys fans sometimes.
I know it's not the '80s anymore, but the '80s are back with a vengeance. Get yourself some neon; whether it's a cute sneaker, a pump or a cross-body bag, add to your wardrobe a pop of neon.
The first couple days I didn't realize it that much, but when I look back, I'm just like, 'Wow, I play for Barcelona!' Because everything went so fast the first couple days.
I'd love to be a filmmaker and look back and be like, 'Ah, man, we were part of that whole '80s video nasty thing!'
Being in the studio, it's more of a controlled environment, where you can be Salvador Dali and sit back and look at the painting. And you can go, 'Ah, you know what? Maybe a little bit more red over here...maybe add some blue over here.' You can sit back and look at the painting.
When you look at Banksy's work as a catalogue of ideas, it's undeniably brilliant. Going back to my days doing stencil work back in the 80s I knew that it wasn't exactly the most demanding work: it's like printing, but then Warhol was a printer.
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