A Quote by Rob Lowe

Being pulled that long and that hard for a 12-hour day gave me migraines. It's what they used to do before there were facelifts for actresses – you know, Joan Crawford's whole career was this. Then the makeup is like Earl Scheib auto body paint sprayed on my face.
I don't have a long, drawn-out Joan Crawford beauty routine. I'm not like, "Yes, I wake up and first I put ice on my face." I do it in a taxi on my way to a meeting. Traveling is my makeup routine. I do it in a car ride, and I'm that asshole on the road who's doing her mascara in the mirror.
The Joan Crawford that I've heard about in 'Mommie Dearest' is not the Joan Crawford I knew back when.
I want people to say at the end of my day, you know, like I used to say about Sidney Poitier and James Cagney and Joan Crawford and Red Skelton and those guys and Bill Cosby. They did quality and substance. You always remember them.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
Rihanna told me her parents used to argue so intensely, she used to get these headaches, these migraines that were almost not even treatable with medicine. The moment her parents separated, her migraines went away.
Joan Crawford is a movie queen. I had never met one before. I know now what I don't want to be.
To become a big movie star like Joan Crawford, you need to wear blinders and pay single-minded attention to your career. Nobody paid attention to me, including me.
I've had a lifelong love affair with makeup. When I was a little girl, I used to take my mother's makeup and paint all of my dolls' faces, and I even painted the dog's face!
If I wasn't an actress, I'd never wear make up. I liked being ready in half an hour and arrive on the sets. Even for a no-makeup look, if one has a dark under-eye on a particular day, a little makeup is used. I had no scope for that as well.
Initially, I used to cart coke from the West Melbourne Gasworks -12 tonne a day, 150-pound sacks. I'd come home looking like Al Jolson at the end of the day - white teeth, black face... A good hard day's work.
I used to stay up very late at night, much later than I probably should have for such a youngster, and I used to watch very old black-and-white movies with, you know, Bette Davis and Joan Crawford, but I remember watching them thinking 'I could do that'... Even though I wasn't inclined at all to actually become an actress. I mean, that wasn't something that was... in the stars for me, no pun intended.
I made the mistake early in my career, when I moved to Hollywood, of being attracted to actresses. I used to go out exclusively with actresses and other female impersonators.
I used to ride horses and I remember one day I was working with a horse and we were having it jump, you know? There was a competition and so we were doing a test run and the horse fell on top of my body. I was a kid, like 7 years old. It took them a long time to take the horse off of my body after it had fallen.
People talk about the golden age of Hollywood because of how women were lit then. You could be Joan Crawford and Bette Davis and work well into your 50s, because you were lit and made into a goddess. Now, with everything being sort of gritty, women have this sense of their use-by date.
To become a big movie star like Joan Crawford you need to wear blinders and pay single-minded attention to your career. Nobody paid attention to me, including me. I was the original Cinderella girl, looking for the happy ending in the fairy story. But my fantasy prince never came.
The good Lord gave me something, and he gave me intensity. He gave me a body, and he gave me the work and how hard I worked the body the way that it was.
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