A Quote by Rob Lowe

Read between the lines, folks, 'cause I'm here to tell you you're not getting the straight story. Ever. You're getting variations of the truth, if you're lucky. — © Rob Lowe
Read between the lines, folks, 'cause I'm here to tell you you're not getting the straight story. Ever. You're getting variations of the truth, if you're lucky.
I think acting, oftentimes it's not about lines, it's about spaces in between lines and expressions on people's faces and their relationships. You can tell your own story, or a story that you're interested in, even if the lines don't necessarily point you in that direction.
Certainly there is a depression I think a lot of Black folks are getting ready to have come January [2017] and that might be an interesting story to tell.
There are many crooked lines and one straight line. Which is the line of truth? Why the straight line? Truth is always the shortest distance between two points.
I get a fair amount of time between projects, which is great. It takes me awhile to start getting nervous about getting another job again. I don't mind having a lot of down time. I'm pretty lazy. So I really don't mind it. But I'm lucky; I work fairly steadily. I'm lucky that I've managed to do that.
Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.
The process of writing a story isn't about fair. It's about getting to the heart of your story, getting to the truth of it. It transcends ideals of fair and unfair, right and wrong.
I would fix other people's lines if they asked me on occasion. The hard part of writing is the architecture of it, getting the story and structuring it. Not the tweaking of lines.
I just can't get over how much babies cry. I really had no idea what I was getting into. To tell you the truth, I thought it would be more like getting a cat.
What I object to is tricking the reader and blurring the lines so that unsuspecting readers, thinking that they are getting something that is assigned and edited by the editorial side, are getting something quite different. They are getting an advertisement.
Where I've arrived now is the product of mixing the very straight with the very exploratory; there's a fine line between the two, although it tends to be getting straighter and straighter because my songwriting is getting better.
an Autobiography is the truest of all books; for while it inevitably consists mainly of extinctions of the truth, shirkings of the truth, partial revealments of the truth, with hardly an instance of plain straight truth, the remorseless truth is there, between the lines, where the author-cat is raking dust upon it which hides from the disinterested spectator neither it nor its smell... the result being that the reader knows the author in spite of his wily diligences.
The best time to tell your story is when you have to tell your story. When it's not really a choice. But then, when you get that first, messy, complicated version down, you have to read it over and be very tough on yourself and ask, 'Well what's the story here?' If you're lucky enough to have someone you trust looking over your shoulder, he or she can help you if [you] lack perspective on your own story.
Today we live in a chaos of straight lines, in a jungle of straight lines. If you do not believe this, take the trouble to count the straight lines which surround you. Then you will understand, for you will never finish counting.
The only book I ever read cover to cover was The Pete Rose Story. I read half of The Lou Gehrig Story and then made a book report on it for four straight years.
Do I know my lines? As I'm getting older, they're getting harder to learn. The old brain cells are deteriorating.
Sometimes people come in as a director, and they just want the result, and they barely want that to tell you the truth. Sometimes directors barely talk to the actors; they are so focused on the cinematic elements of the movie, getting the shot and getting the lighting right or getting the CGI effects right and all of that, and they just trust that you are just going to do what you do.
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